A perfectly pitched memoir.
A septuagenarian member of the Fond du Lac Band of Ojibwa tells a harrowing tale of mistreatment and racial prejudice as he movingly recalls his years as a ward of the state and an indentured laborer in Minnesota during the 1930s.
Razor’s memories of working on a farm complement his recollections of the St. Paul orphanage in which the state placed him after he was abandoned by his alcoholic father when only ten months old. (His mother, who suffered from depression, had been placed in an asylum.) The orphanage was a Dickensian institution bent on teaching by punishment rather than reward. With the exceptions of a kindly doctor and a young assistant, the staff was sadistic, ill-educated, and unsympathetic. Razor recalls how when he was seven years old, the husband of one matron, holding him by an arm and leg, whirled him around until he became unconscious and had to be hospitalized. Another employee beat him savagely with a broomstick, calling him a “deceitful Injun.” One night while he was in bed, a matron in an insane rage attacked him with a hammer, causing injuries so severe that he was in hospital for more than a month. In early adolescence he ran away with two friends, but they were eventually caught, starving and unwashed, and brought back. Though Razor enjoyed studying and was an honor student, at 15 he was put to work on a farm. He was supposed to be paid for his labor and sent to school, but he never saw any wages, and his education came second to the needs of the farmer, who beat Peter so brutally that he ran away. Officials finally recognized the boy’s plight and found him a good home. Though he exposes the reality of a system that essentially legalized child abuse, Razor somehow manages to control his justifiable anger.
A perfectly pitched memoir.Pub Date: Sept. 1, 2001
ISBN: 0-87351-401-7
Page Count: 208
Publisher: Minnesota Historical Society Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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