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India: Future Tense

A recommended primer for professionals looking to conduct business with India and for interested laypeople.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Debut author Richards brings five decades of close involvement with India to this efficient, perceptive exploration of the teeming country.

When it comes to India, manufactured tropes for easy consumption are readily available: it’s the world’s largest democracy and a land of mysticism and offshore call centers. To his credit, Richards is emphatically against discussing the “idea of India,” focusing instead on understanding not just the country itself, but also its citizens. Although India’s inclusion as one of the BRIC economies comes with an attendant descriptor as one of the world’s growing middle-class consumer markets, the author laudably focuses on the entire country’s demographics, not just a select segment. The book’s central thesis is that India’s operating system, built on the vestiges of what the British left behind in 1947, creaks along to uneven standards and could use a tune-up. This “Continuing Raj,” Richards argues, comprises “mastodons” (progress-blocking models featuring tired and divisive thinking from the “hoary past”) and “elephants” (more progressive prescriptions that the author argues the country needs). This comparison is a useful tool; when it comes to physical infrastructure, for example, the book deems the preoccupation with transportation a “mastodon” and provision of electricity to all as an “elephant.” The book’s arguments continue to hold weight even after the 2014 elections that swept the controversial Narendra Modi into power as prime minister, especially because, as Richards states, the country’s rate of social evolution is largely independent of government programs. Fundamental reforms are also fairly unlikely; Modi, Richards points out, is both “the master and the prisoner of the Continuing Raj.” Systematically dissecting practically every aspect of Indian society, from class and religion to national security and education, this volume commendably recognizes uniquely Indian quirks such as the ubiquitous Indian advice to “Do one thing”: “an urgent plea Indians make to emphasize their own priorities and what they hope to instill as top of mind in another person.” Even if it sometimes appears that Richards may have bitten off more than he can chew, this book is still an easily digestible treatise about an immensely complex country.

A recommended primer for professionals looking to conduct business with India and for interested laypeople.

Pub Date: April 28, 2015

ISBN: 978-1-4602-4335-0

Page Count: 216

Publisher: FriesenPress

Review Posted Online: Aug. 9, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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