While depicting the realizations of a recovering alcoholic, Rosch skillfully renders a unique story of a missing woman.
A woman’s mysterious disappearance, which was foreseen by a recovering alcoholic, makes for a gripping story.
Rosch’s novel revolves around Max’s dream, in which a woman whom he has never met is kidnapped and dies. It isn’t until he recognizes the woman on the streets of New York that he’s certain he’s had a premonition. After reporting his reoccurring dream to the police, who don’t take him seriously, Max decides he must befriend the woman and warn her. He stalks Sarah, a depressed, perhaps even suicidal, event planner, meeting her after Sarah makes the first move. He blows off his sponsor, Sam, a man with 10 years in recovery who likes to bed young, female AA-newbies. He also lies to his wife, Rachel, who stood by him when he bottomed out, in order to learn more about Sarah—to find out how to gain her trust in order to protect her. Realizing the damage he’s doing to his marriage, Max ends things with Sarah without warning. Sarah’s heartbroken, in denial, and in love with a man she knows stalked her. When Sarah disappears, Max is the first person the police suspect. Sarah says, “Max, I’ve never met someone so sure of their abilities to manipulate the world, and frankly you stink at it,” perfectly summing up the dilemma most addicts face—the desire to be in control of their world while dependent upon a substance or person that makes it entirely impossible to maintain control. As the story progresses, Rosch expertly explores the psychology of an alcoholic and the pillars behind AA, giving Max’s statements credibility while planting the seeds of doubt as to his trustworthiness. The novel tackles sobriety, truth and guilt, engrossing the reader in Max’s whirlwind of problems. Despite the support of his friends and family, Max questions whether getting drunk might enable him to better cope. Max’s unlikable attributes, including his mistaken assertions, are only off-putting at times; on the whole he’s a well-developed, layered character.
While depicting the realizations of a recovering alcoholic, Rosch skillfully renders a unique story of a missing woman.Pub Date: April 21, 2012
ISBN: 978-1475198232
Page Count: 228
Publisher: CreateSpace
Review Posted Online: June 21, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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