A reflective investigation of the self, memory, and invention.
Selgin (Confessions of a Left-Handed Man: An Artist's Memoir, 2011, etc.) explores his relationships with two men who “had a profound influence” on him.
As a twin, the author “had to share everything” with his brother, from birthdays and appearance to the love of their parents. They were also competitors and rivals. In this memoir, Selgin examines how their relationship combined with the influence of his father and his eighth-grade teacher to shape his own identity. The author’s brother was “the person he looked up to more than…anyone else,” his father was an iconoclastic inventor of electronic devices, and his English teacher was someone for whom he developed a long-lasting adolescent crush. Only after the deaths of his father and his teacher did Selgin discover that both had hidden key parts of their lives. At his father's funeral, he was stunned to be asked, “did you know your father was Jewish?” Later, quite by accident, Selgin discovered an obituary of his teacher and was astonished to learn of his Native American background. Family members told the author they either knew or suspected the truth about his father, and the teacher had taught him about art, music, and his dream of a place called “Castalia,” “a special community where scholars, teachers, artists, people who still know how to think and dream, would come together.” Through his writing and other artistic pursuits, Selgin began to share that dream. After his death, the teacher's dream had been brought to life in the form of an American Indian longhouse, while the uses of some of his father’s electronic inventions caused him to reinvent his past. “It was strange,” writes Selgin, “that the two men who had meant so much to you…both felt the need to break with their pasts and reinvent themselves.” Though they buried their own pasts, their influences helped the author invent himself, and thrive, through his search for his own Castalia.
A reflective investigation of the self, memory, and invention.Pub Date: April 12, 2016
ISBN: 978-0-9893604-7-0
Page Count: 416
Publisher: Hawthorne Books
Review Posted Online: Jan. 12, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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