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THE INVENTORS

A MEMOIR

A reflective investigation of the self, memory, and invention.

Selgin (Confessions of a Left-Handed Man: An Artist's Memoir, 2011, etc.) explores his relationships with two men who “had a profound influence” on him.

As a twin, the author “had to share everything” with his brother, from birthdays and appearance to the love of their parents. They were also competitors and rivals. In this memoir, Selgin examines how their relationship combined with the influence of his father and his eighth-grade teacher to shape his own identity. The author’s brother was “the person he looked up to more than…anyone else,” his father was an iconoclastic inventor of electronic devices, and his English teacher was someone for whom he developed a long-lasting adolescent crush. Only after the deaths of his father and his teacher did Selgin discover that both had hidden key parts of their lives. At his father's funeral, he was stunned to be asked, “did you know your father was Jewish?” Later, quite by accident, Selgin discovered an obituary of his teacher and was astonished to learn of his Native American background. Family members told the author they either knew or suspected the truth about his father, and the teacher had taught him about art, music, and his dream of a place called “Castalia,” “a special community where scholars, teachers, artists, people who still know how to think and dream, would come together.” Through his writing and other artistic pursuits, Selgin began to share that dream. After his death, the teacher's dream had been brought to life in the form of an American Indian longhouse, while the uses of some of his father’s electronic inventions caused him to reinvent his past. “It was strange,” writes Selgin, “that the two men who had meant so much to you…both felt the need to break with their pasts and reinvent themselves.” Though they buried their own pasts, their influences helped the author invent himself, and thrive, through his search for his own Castalia.

A reflective investigation of the self, memory, and invention.

Pub Date: April 12, 2016

ISBN: 978-0-9893604-7-0

Page Count: 416

Publisher: Hawthorne Books

Review Posted Online: Jan. 12, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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