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HOOPER'S WAR

A NOVEL OF WWII JAPAN

A complex portrayal of a counterfactual invasion.

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An American veteran remembers his time in Japan in a novel about a World War II that might have been.

In this alternate-history novel, Van Buren (Ghosts of Tom Joad, 2014, etc.) follows both present-day and historical timelines to explore what might have happened if the United States had launched a ground invasion of Japan to end the second world war. In 2017, elderly Nate Hooper is in a retirement home, reflecting on a recent visit to Kyoto, during which he kept a promise to his late wife. But back in 1946, Hooper is an 18-year-old Army officer leading a group of equally young soldiers through the remnants of Kyoto after it’s been firebombed, dealing with the horrors of war and the less-than-humanitarian instincts of his own men. The narrative jumps between the two timelines as Hooper contends with memories of battle and secrets he’s kept for decades. Readers gradually discover the truth about his wartime actions. Van Buren presents a bleak picture of a world in which no action is ideal but avoiding decisions is impossible. The dialogue captures the raw emotion of war and the soldiers’ struggles for self-preservation (“Is the morphine for Garner so he stops screaming, or is the morphine for you so you don’t have to hear him screaming?” says a medical officer. “He probably feels better screaming”). Hooper is an engaging protagonist, a prototypical innocent young man dealing with the loss of his illusions and the demands of a new role (“The worst words in the English language to me had become ‘What should we do, Lieutenant?’ ”). Van Buren doesn’t provide simple answers, and readers are left with the understanding that decisions made in battle can be both right and wrong at the same time. An afterword provides context for the book’s alternate version of the war.

A complex portrayal of a counterfactual invasion.

Pub Date: May 1, 2017

ISBN: 978-1-941311-12-7

Page Count: 256

Publisher: Luminis

Review Posted Online: March 19, 2017

Kirkus Reviews Issue: April 15, 2017

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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