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THE DOG WENT OVER THE MOUNTAIN

Name: THE DOG WENT OVER THE MOUNTAIN
Author: Peter Zheutlin
ISBN: 978-1-64313-201-3

TRAVELS WITH ALBIE: AN AMERICAN JOURNEY

by Peter Zheutlin ‧ RELEASE DATE: Sept. 3, 2019

Pleasant enough but a soufflé that leaves Steinbeck with nothing to worry about.

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Meanderings around America in the company of an obliging yellow Lab.

“Not every trip we take is life-altering or results in a profound epiphany,” writes freelance journalist Zheutlin (Rescued: What Second-Chance Dogs Teach Us About Living With Purpose, Loving With Abandon, and Finding Joy in the Little Things, 2017, etc.), who demonstrates the truth of that statement. Closing in on retirement age, he and Albie hit the road in homage to John Steinbeck’s Travels With Charley. Zheutlin travels wide but seldom deep, gathering anecdotes over 9,000 miles from New England to the West Coast and back. He notes that Vicksburg, Mississippi, “even with its rich Civil War history, seemed forlorn” and hastens on to Natchez, which “was prettier and seemed more prosperous.” If he’d lingered for a moment in Vicksburg, he might have learned why that might be the case and why residents of that city still nurse hard feelings for their neighbors downriver. Some of his stories have more weight to them. A nice moment comes early on, when he describes the so-called Jackson Whites, "a race living in the Ramapo Mountains” who were probably a mixed population of runaway slaves, Native Americans, Hessian deserters, and other people who had good reason to want to be left alone. Albie is definitely the star of the show; like all Labs, he can be growly at times but is otherwise an amiable presence. It doesn’t help his case that Zheutlin uses Albie to sentimental, sometimes-cloying ends, as when he writes of a homeless woman he encounters, “Albie, of course, cannot make judgments about people’s circumstances, which may be why meeting a dog that cannot and will not discriminate against you based on your circumstances, your race, or your religion must be…a lesson for us all.” Nostrums notwithstanding, the narrative is unchallenging and easygoing, like something Charles Kuralt might have delivered in his TV travelogues of old.

Pleasant enough but a soufflé that leaves Steinbeck with nothing to worry about.

Pub Date: Sept. 3, 2019

ISBN: 978-1-64313-201-3

Page Count: 336

Publisher: Pegasus

Review Posted Online: June 29, 2019

Kirkus Reviews Issue: July 15, 2019

Categories:

GENERAL NONFICTION

- BOOK REVIEW
RESCUE ROAD
by Peter Zheutlin

- BOOK REVIEW
AROUND THE WORLD ON TWO WHEELS
by Peter Zheutlin

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.