The strange and wonderful tale of National Geographic photographer Loren McIntyre's mystical journal from the depths of the Amazon basin to the river's ultimate source in the Andes, solemnly related by Popescu (The Last Wave; In Hot Blood, 1988 paperback.) With 40 years of Amazon exploration under his belt, as well as subsidiary careers in the US Navy and as a documentary filmmaker, McIntyre jumped at the chance to experience and photograph a ``first contact'' with an elusive Mayoruna tribe rumored to exist on the shores of the Rio Javari, an Amazon tributary. Airdropped onto the river's shore, McIntyre easily joined up with the seminomadic ``cat people''—who tattooed their faces and stuck spines in their cheeks to resemble their claimed jaguar ancestors- -but soon became hopelessly lost following their flight from an unseen enemy. Worried that his hired pilot would never find him, unable to speak the Indians' language, and suffering severe culture shock from jungle life, McIntyre nevertheless became fascinated by the Mayoruna headman, who seemed to communicate with the American through what McIntyre called ``beaming''—or mental telepathy. McIntyre apparently received mental messages regarding the tribe's plan to escape modern encroachers by traveling ``back to the beginning''—fasting, dancing, and ingesting natural hallucinogens to return to the safety of the beginning of time. After witnessing this ceremony, McIntyre returned to civilization, but he would experience a psychic reunion with the tribe—and, perhaps, their ancient ancestors—two years later while combing the Andes for the true source of the Amazon. Three stories—McIntyre's contact with the Mayoruna, his discovery of the Amazon's source, and his own inner, spiritual exploration—make for an occasionally unwieldy bundle of a book, but Popescu's awe, combined with McIntyre's general stupefaction, makes for fascinating reading. A sort of Castaneda exercise in mystical and ecological inquiry, perfectly timed for the New Age. (Sixteen pages of color photographs—not seen.)
Pub Date: Sept. 1, 1991
ISBN: 0-670-82997-8
Page Count: 480
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1991
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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