by Phaea Crede ; illustrated by Suji Park ‧ RELEASE DATE: Sept. 29, 2026
A sweet, original retelling of the Yuletide earworm.
In this clever riff on the novelty song “All I Want for Christmas Is My Two Front Teeth,” an adorably earnest reindeer encounters a big problem.
“I lotht my front baby teeth!” wails Reina, who can no longer pronounce the letter S. The upcoming Holiday Jamboree is just 12 days away—how will Reina handle the big solo? Reina’s teacher and mother both offer reassurance, but Reina decides to “take matterth into my own hooveth,” first with replacement teeth, then with a letter to Santa. Unfortunately, the cutoff date for mail to reach the North Pole has passed, so Reina decides to walk there, accompanied by two friends. They brave obstacles, but when they arrive, they discover that Santa’s workshop is closed in preparation for the big day. Their parents pick them up, and the concert is nigh. But Reina invites the others to be part of the song, and they all sing joyfully together. Park’s digital illustrations depict the young reindeer with big eyes and small antlers, wearing patterned vests in a variety of colors and patterns; Reina’s is red and white, and our young hero wears a green scarf. Red ribbons with white text show the countdown to Christmas in the upper left corner of each page spread, amping up the tension as the clock ticks down to a satisfying conclusion.
A sweet, original retelling of the Yuletide earworm. (Picture book. 4-8)Pub Date: Sept. 29, 2026
ISBN: 9781368119177
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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