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ALL I WANT FOR CHRISTMAS

A HOLIDAY COUNTDOWN

From the Holiday Critter Countdown series

A sweet, original retelling of the Yuletide earworm.

In this clever riff on the novelty song “All I Want for Christmas Is My Two Front Teeth,” an adorably earnest reindeer encounters a big problem.

“I lotht my front baby teeth!” wails Reina, who can no longer pronounce the letter S. The upcoming Holiday Jamboree is just 12 days away—how will Reina handle the big solo? Reina’s teacher and mother both offer reassurance, but Reina decides to “take matterth into my own hooveth,” first with replacement teeth, then with a letter to Santa. Unfortunately, the cutoff date for mail to reach the North Pole has passed, so Reina decides to walk there, accompanied by two friends. They brave obstacles, but when they arrive, they discover that Santa’s workshop is closed in preparation for the big day. Their parents pick them up, and the concert is nigh. But Reina invites the others to be part of the song, and they all sing joyfully together. Park’s digital illustrations depict the young reindeer with big eyes and small antlers, wearing patterned vests in a variety of colors and patterns; Reina’s is red and white, and our young hero wears a green scarf. Red ribbons with white text show the countdown to Christmas in the upper left corner of each page spread, amping up the tension as the clock ticks down to a satisfying conclusion.

A sweet, original retelling of the Yuletide earworm. (Picture book. 4-8)

Pub Date: Sept. 29, 2026

ISBN: 9781368119177

Page Count: 32

Publisher: Disney-Hyperion

Review Posted Online: Aug. 17, 2026

Kirkus Reviews Issue: Sept. 15, 2026

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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