The author’s outlook remains relentlessly upbeat, and in the end, this sentimental novel is as cozy and fortifying as a hot...
Nothing otherworldly happens in this feel-good debut novel, yet the story of an English widower who goes rummaging in his late wife’s past has the quality of a fable.
A mild-mannered pensioner from York, the title character—described by an ex-girlfriend as “timid and a bit twitchy”—is tethered to his domestic routines, hardly ever leaving the house. All that changes when he happens upon a mysterious gold bracelet—with eight distinctive charms—that belonged to his beloved wife, Miriam. Screwing up his courage, he embarks on a journey that will take him far from his comfort zone as he tracks down the story behind each ornament. Along the way, our 69-year-old hero finds himself fending off a tiger, having an audience with a famous author who may or may not have been his wife’s lover, getting mugged in a Tube station, and posing naked for an art class. Unsurprisingly, he learns as much about himself through these adventures as he does about Miriam. The writing is breezy, and Arthur’s escapades are, well, charming, at least some of the time. The book flirts with real emotion, too: Arthur’s grief over the loss of his wife is palpable, and his sadness at the estrangement of his adult children feels quite genuine. You may even, against your better judgment, shed a few tears as he endeavors to set things right with them. Yet each bad turn in the book comes wrapped in a teachable moment; each cloud has an unmistakable silver lining.
The author’s outlook remains relentlessly upbeat, and in the end, this sentimental novel is as cozy and fortifying as a hot cup of tea on a cold afternoon.Pub Date: May 3, 2016
ISBN: 978-0-7783-1933-7
Page Count: 304
Publisher: Harlequin MIRA
Review Posted Online: Feb. 3, 2016
Kirkus Reviews Issue: Feb. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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