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THE CURIOUS CHARMS OF ARTHUR PEPPER

The author’s outlook remains relentlessly upbeat, and in the end, this sentimental novel is as cozy and fortifying as a hot...

Nothing otherworldly happens in this feel-good debut novel, yet the story of an English widower who goes rummaging in his late wife’s past has the quality of a fable.

A mild-mannered pensioner from York, the title character—described by an ex-girlfriend as “timid and a bit twitchy”—is tethered to his domestic routines, hardly ever leaving the house. All that changes when he happens upon a mysterious gold bracelet—with eight distinctive charms—that belonged to his beloved wife, Miriam. Screwing up his courage, he embarks on a journey that will take him far from his comfort zone as he tracks down the story behind each ornament. Along the way, our 69-year-old hero finds himself fending off a tiger, having an audience with a famous author who may or may not have been his wife’s lover, getting mugged in a Tube station, and posing naked for an art class. Unsurprisingly, he learns as much about himself through these adventures as he does about Miriam. The writing is breezy, and Arthur’s escapades are, well, charming, at least some of the time. The book flirts with real emotion, too: Arthur’s grief over the loss of his wife is palpable, and his sadness at the estrangement of his adult children feels quite genuine. You may even, against your better judgment, shed a few tears as he endeavors to set things right with them. Yet each bad turn in the book comes wrapped in a teachable moment; each cloud has an unmistakable silver lining.

The author’s outlook remains relentlessly upbeat, and in the end, this sentimental novel is as cozy and fortifying as a hot cup of tea on a cold afternoon.

Pub Date: May 3, 2016

ISBN: 978-0-7783-1933-7

Page Count: 304

Publisher: Harlequin MIRA

Review Posted Online: Feb. 3, 2016

Kirkus Reviews Issue: Feb. 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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