Well-researched, proudly lusty historical fiction.
A young, gay Leonardo da Vinci navigates Renaissance Florence and its troubled leadership.
Melanson’s assured debut is set between 1471 and 1483, crucial years for both the artist and his homeland. Leonardo had completed his apprenticeship as a painter, but his efforts to find wealthy patrons are waylaid by his lack of interest in delivering conventional work, along with his romance with Iac, a prostitute and aspiring goldsmith who serves as his muse. Meanwhile, Lorenzo, the head of the powerful banking Medici family, is at loggerheads with new leadership in the Vatican, which threatens his ability to assign plum church spots for family members and maintain the family role as the Pope’s bankers. Generally alternating between Leonardo and Lorenzo, the book’s chapters limn each man’s subtle influence on the other; crackdowns on homosexual activity to appease the Pope make Leonardo a target, and Leonardo’s growing reputation as a brilliant painter brings him into the circle of well-off patrons (including Lorenzo’s brother). The historical squabbles between various Italian states during the Quattrocento can get convoluted, but Melanson generally works his way through that by emphasizing Leonardo’s sensuality (sexual and artistic) and the violence that stalks the Medici clan; an assassination attempt against Lorenzo in 1478 is a key element of the plot. Though Lorenzo and Leonardo claim roughly equal space, the novel is strongest as a portrait of Leonardo, who must navigate sexual repression (Florenzer was a Habsburg term for homosexual), his father’s disapproval, and a mind busily developing inventions when not delivering brilliant works like the Madonna of the Carnation. He’s a delectable counterpoint to Lorenzo’s machinations in Florence, where “coin is the one thing this city pays allegiance to.”
Well-researched, proudly lusty historical fiction.Pub Date: June 10, 2025
ISBN: 9781324095033
Page Count: 368
Publisher: Liveright/Norton
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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