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BLAME IT ON EVE

Kid stuff. Barely-there plot and shallow heroine make for a meager first outing.

The misadventures of an ex-model.

Shawni Baldwin feels like nothing but a paper doll—sick of “smiling, pouting, sashaying, and defining style.” Never mind that she’s in demand throughout the fashion world, internationally famous, the queen of designer runways. Or that the king of haute couture, Ricci Malone, is ready to offer her an exclusive contract. Shawni is compelled to say no, though best friend Ernie, a gay hairdresser, thinks she’s crazy. Her mother, a former model (back when black models were few and far between), is troubled by her daughter’s hubris, but her refrain of you’re breaking my heart doesn’t seem to bother Shawni. Yo, she’s got other things to do: her younger brother Duran wants her to pull together some hot styles for a hip-hop group he’s managing called the Gentlemen. They’re basically poor boys from the ’hood, but Shawni is attracted to their singer, Zin, even though she has a lover, Bo, an entertainment attorney who’s all that and rich. Bo makes waves in her waterbed but he can tell Shawni has someone else on her mind. Shawni ain’t exactly sure she wants Zin or not—until she catches Bo with an unknown woman and throws a tantrum. Then, egged on by Ernie, she puts sugar in the gas tank of Bo’s SUV and smashes the window. Arrested, she spends a night in jail. Musing over trite insights (whores have it tough, jail is boring), Shawni still just doesn’t know what’s got into her. Ernie sighs and clucks over her wild ways, but the charges are dropped and life goes on. Will Shawni ever get over her need for a man? She picks up a pamphlet for Eternal Hope, a women’s self-help group, and shares her not-exactly-tragic story with the other attendees.

Kid stuff. Barely-there plot and shallow heroine make for a meager first outing.

Pub Date: Oct. 1, 2002

ISBN: 0-345-44712-3

Page Count: 320

Publisher: One World/Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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