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DOWN TO THE SEA IN SHIPS

Paying tribute to boats and ships—and all who have taken them out onto wide blue waters—Sturges pairs a series of lyric verses to Laroche’s carefully detailed, painted-paper collages. From a frail looking birch canoe to an immense modern cruise ship (the latter seen in engrossing cutaway), from a Viking Drakar rowed by a bearded, singing crew to the Savannah, first steam-powered ship to cross the Atlantic and return, the vessels present an arresting array of forms and sizes. But this is more than a simple sail-and-steam gallery; Sturges also commemorates whalers and cod fishermen (and the cod themselves), Magellan, who “sailed on to misfortune and fame,” busy Puget Sound, blind boatbuilder John Herreshoff and the profound rewards of drifting silently: “Be still. / Ignore the distant sounds of Man and thunder. / Look deep into the sea. / Be filled with wonder.” A poetic companion for the likes of Patrick O’Brien’s The Great Ships (2001). (Poetry. 8-12)

Pub Date: May 1, 2005

ISBN: 0-399-23464-0

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2005

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THE MOUSE AND THE MOTORCYCLE

The whimsy is slight—the story is not—and both its interest and its vocabulary are for the youngest members of this age...

Beverly Cleary has written all kinds of books (the most successful ones about the irrepressible Henry Huggins) but this is her first fantasy.

Actually it's plain clothes fantasy grounded in the everyday—except for the original conceit of a mouse who can talk and ride a motorcycle. A toy motorcycle, which belongs to Keith, a youngster, who comes to the hotel where Ralph lives with his family; Ralph and Keith become friends, Keith gives him a peanut butter sandwich, but finally Ralph loses the motorcycle—it goes out with the dirty linen. Both feel dreadfully; it was their favorite toy; but after Keith gets sick, and Ralph manages to find an aspirin for him in a nearby room, and the motorcycle is returned, it is left with Ralph....

The whimsy is slight—the story is not—and both its interest and its vocabulary are for the youngest members of this age group. (Fantasy. 8-12)

Pub Date: Sept. 22, 1965

ISBN: 0380709244

Page Count: 180

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Sept. 1, 1965

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WOMBAT WAITING

Affecting and hopeful.

A stray dog finds her destiny amid the chaos of a Southern California wildfire.

Wombat is a small dog with stubby legs and “silly ears / that look like furry cookies”—almost impossibly cute in Bricking’s occasional pencil-style vignettes. She’s mastered the art of survival, so when a mysterious internal voice prods her to go toward the fire, she resists. “The wrong way is the right way. / The right way is the wrong way,” the voice insists. When she tells fellow stray Silas about it, he tells Wombat she’s a “destiny dog,” bound to “find their person / before their person / can find them.” Convinced, she decides to follow the mysterious instructions. Meanwhile, Henry, a boy who’s leery of dogs, loves the bats at the wildlife rehabilitation center where Mama Ro, a veterinarian, works; his Mama J is a librarian. Henry and Barnabas, a fruit bat at the center, are both uprooted by the fire, and their paths converge with Wombat’s at an emergency shelter. The third-person perspective shifts from character to character in clusters of free-verse poems that fully immerse readers in each one’s experiences in turn. This extra-concentrated delivery of Applegate’s typically spare writing proves effective, balancing terror and sadness with heart and humor. Henry has light brown skin, Mama Ro has curly black hair and brown skin, and Mama J presents white.

Affecting and hopeful. (Verse fiction. 8-12)

Pub Date: May 5, 2026

ISBN: 9780063221178

Page Count: 304

Publisher: Storytide/HarperCollins

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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