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THE TWELVE DAYS OF CHRISTMAS

A PIÑATA FOR THE PIÑON TREE

The words of the traditional Christmas song are adapted here to reflect a Southwest theme, with influences from Latino and Native-American cultures. On the first day of Christmas, a grandmotherly animal of undetermined species looks out her kitchen window to see her amigos bringing her a piñata for her piñon tree. The three friends (a skunk, a pig and an armadillo) bring in more decorations and more animals as the days of celebration progress, right on up to an 11-member mariachi band and 12 raccoons drumming. Wolff’s busy, brilliantly colorful illustrations depict the huge cast of characters slowly filling up the town square as they celebrate. An additional illustration on the left fourth of each double-paged spread holds the text and shows the hands (paws?) of the grandmotherly animal baking Bizcochitos cookies step-by-step. That simpler scene helps to set off a calm spot on the pages. A recipe for these cookies and the music to the song with the rewritten words can be found on the endpapers, though those will be partially covered by the book jacket in library use. The final scene, a double page of glowing windows set in snowy mountains and facing the sparkling tree, is just plain breathtaking. (Picture book. 4-8)

Pub Date: Oct. 1, 2007

ISBN: 978-0-316-82323-4

Page Count: 40

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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