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CROSSING

The locomotive sounds its old siren song in this pairing of a poem from Booth’s first book and spectacularly realistic art from Russia-born Ibatoulline. As the poet tallies passing freight cars—“B&M boxcar, / boxcar again, / Frisco gondola, / eight-nine-ten…”—an old-time, small town gathering of children and motorists gather at the crossing to watch, wait, and wave at last as the red caboose rumbles by. Ibatoulline skillfully captures a sense of the rolling stock’s hugeness, depicts rust and machinery with magnificent precision, gives his human cast a cheery, Norman Rockwell–style wholesomeness, and backs off in one spread to show all 100 cars (count them) spiraling into a tunnel. He is not so able at capturing a feeling of motion, however, so the train looks like it’s standing still, and since he has chosen to view the cars closeup, the entire shape of each is seldom discernible. All who have succumbed to the allure of the railroad will be stopped in their own tracks by this eye-filling, show-stopping debut showcase, but younger trainiacs may still prefer to hop aboard Donald Crews’s Freight Train (1978). (Picture book/poetry. 6-8)

Pub Date: Oct. 1, 2001

ISBN: 0-7636-1420-3

Page Count: 40

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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