The Steads’ work adopts a folkloric approach to cooperative relationships; the affectionately rendered animals that stand in...

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BEAR HAS A STORY TO TELL

Within a gentle tale of hibernation and renewal, the Steads’ second collaboration (after Caldecott-winning A Sick Day for Amos McGee) explores a second, internal theme: the nature of the storytelling narrative itself.

Increasingly sleepy, Bear pads through the fall landscape with “a story to tell” before winter’s sleep. Mouse, Duck, Frog and Mole are well into their own winter preparations and cannot listen. Months later, when the reunited friends gather beneath a full moon, Bear can’t remember his story. Helpfully, his friends suggest a protagonist (“Maybe your story is about a bear”), a plot (“Maybe your story is about the busy time just before winter”), and supporting characters (themselves). Thus, Bear begins his story as this one ends: The first line of his story is both the last line of the book and its first. Erin Stead’s pictures quietly appeal: Pencil line and shading define basic features of animals and trees, while washes and smudges of paint suggest seasonal colors, Bear’s rotund mass, and the brushy cobalt expanse of starlit skies. Sharing an affinity with Jerry Pinkney yet evoking the sparer 1960s work of Evaline Ness and Nonny Hogrogian, Stead’s compositions exude an ineffable, less-is-more charm.

The Steads’ work adopts a folkloric approach to cooperative relationships; the affectionately rendered animals that stand in for humans convey a nurturing respect for child readers. (Picture book. 3-7)

Pub Date: Sept. 4, 2012

ISBN: 978-1-59643-745-6

Page Count: 32

Publisher: Neal Porter/Roaring Brook

Review Posted Online: April 25, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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Serve this superbly designed title to all who relish slightly scary stories.

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CREEPY CARROTS!

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 2, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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