by Philip Caputo ‧ RELEASE DATE: May 9, 2017
This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.
A novel that couldn't be more timely: the story of culture clash and compromise in Mexico.
Caputo’s eighth novel revolves around two Americans, a priest and a physician, in the Mexican village of San Patricio. This is not, the author tells us, “Cancún [or] Puerta Vallarta”; rather, it is the Mexico of our darkest, wall-building fantasies, “one vast bad neighborhood, East L.A. or the South Side of Chicago on steroids.” Lest such an image seem stereotypical, it’s not—because Caputo is an acute observer of human disorder and disarray. The priest here, Father Timothy Riordan, is conflicted: about his celibacy, about his faith, and most of all about his tenuous position between the townspeople and the authorities. The doctor, Lisette Moreno, is more settled, but that is to some extent due to her privilege; she has come to Mexico by choice. Complicating everything is the presence of the Brotherhood, a gang of narcos so casually brutal that their threats and violence are never anything but believable. The moral landscape is reminiscent of Robert Stone, particularly his 1981 novel A Flag for Sunrise, which also revolves in part around a priest adrift in chaos south of the border. Stone’s perspective, though, is more apocalyptic, or perhaps, most accurately, touched with madness; among the challenges (and rewards) of his writing is the sense not just that the center isn’t holding, but also that there is no center to hold. Caputo is a more traditional novelist, and his aims are, finally, less ambitious; for all its detailed evocation of life in the village, his book is more or less a character portrait, or a pair of character portraits, in which the Americans are always in the light. That makes for a more focused effort, especially in regard to Riordan, whose self-flagellations (both real and imagined) largely drive the narrative. “His anger drained away,” Caputo writes of the priest, “and a gloom dropped over him, like a hood over a man about to be hanged.” Ultimately, however—and despite the force of the writing—this makes the novel too neat, too predictable. Caputo is taking on a messy territory, in which there are no answers, and everyone must do what they need to get along. This is the promise of his novel, that such disruption is contagious, but in the end, the book portrays less the corruption of a tarnished world than the blight of a single errant soul.
This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.Pub Date: May 9, 2017
ISBN: 978-1-62779-474-9
Page Count: 368
Publisher: Henry Holt
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
Share your opinion of this book
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Awards & Accolades
Likes
50
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2015
Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Share your opinion of this book
by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
Share your opinion of this book
More About This Book
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.