by Philip Caputo ‧ RELEASE DATE: May 9, 2017
This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.
A novel that couldn't be more timely: the story of culture clash and compromise in Mexico.
Caputo’s eighth novel revolves around two Americans, a priest and a physician, in the Mexican village of San Patricio. This is not, the author tells us, “Cancún [or] Puerta Vallarta”; rather, it is the Mexico of our darkest, wall-building fantasies, “one vast bad neighborhood, East L.A. or the South Side of Chicago on steroids.” Lest such an image seem stereotypical, it’s not—because Caputo is an acute observer of human disorder and disarray. The priest here, Father Timothy Riordan, is conflicted: about his celibacy, about his faith, and most of all about his tenuous position between the townspeople and the authorities. The doctor, Lisette Moreno, is more settled, but that is to some extent due to her privilege; she has come to Mexico by choice. Complicating everything is the presence of the Brotherhood, a gang of narcos so casually brutal that their threats and violence are never anything but believable. The moral landscape is reminiscent of Robert Stone, particularly his 1981 novel A Flag for Sunrise, which also revolves in part around a priest adrift in chaos south of the border. Stone’s perspective, though, is more apocalyptic, or perhaps, most accurately, touched with madness; among the challenges (and rewards) of his writing is the sense not just that the center isn’t holding, but also that there is no center to hold. Caputo is a more traditional novelist, and his aims are, finally, less ambitious; for all its detailed evocation of life in the village, his book is more or less a character portrait, or a pair of character portraits, in which the Americans are always in the light. That makes for a more focused effort, especially in regard to Riordan, whose self-flagellations (both real and imagined) largely drive the narrative. “His anger drained away,” Caputo writes of the priest, “and a gloom dropped over him, like a hood over a man about to be hanged.” Ultimately, however—and despite the force of the writing—this makes the novel too neat, too predictable. Caputo is taking on a messy territory, in which there are no answers, and everyone must do what they need to get along. This is the promise of his novel, that such disruption is contagious, but in the end, the book portrays less the corruption of a tarnished world than the blight of a single errant soul.
This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.Pub Date: May 9, 2017
ISBN: 978-1-62779-474-9
Page Count: 368
Publisher: Henry Holt
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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SEEN & HEARD
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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