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SOME RISE BY SIN

This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.

A novel that couldn't be more timely: the story of culture clash and compromise in Mexico.

Caputo’s eighth novel revolves around two Americans, a priest and a physician, in the Mexican village of San Patricio. This is not, the author tells us, “Cancún [or] Puerta Vallarta”; rather, it is the Mexico of our darkest, wall-building fantasies, “one vast bad neighborhood, East L.A. or the South Side of Chicago on steroids.” Lest such an image seem stereotypical, it’s not—because Caputo is an acute observer of human disorder and disarray. The priest here, Father Timothy Riordan, is conflicted: about his celibacy, about his faith, and most of all about his tenuous position between the townspeople and the authorities. The doctor, Lisette Moreno, is more settled, but that is to some extent due to her privilege; she has come to Mexico by choice. Complicating everything is the presence of the Brotherhood, a gang of narcos so casually brutal that their threats and violence are never anything but believable. The moral landscape is reminiscent of Robert Stone, particularly his 1981 novel A Flag for Sunrise, which also revolves in part around a priest adrift in chaos south of the border. Stone’s perspective, though, is more apocalyptic, or perhaps, most accurately, touched with madness; among the challenges (and rewards) of his writing is the sense not just that the center isn’t holding, but also that there is no center to hold. Caputo is a more traditional novelist, and his aims are, finally, less ambitious; for all its detailed evocation of life in the village, his book is more or less a character portrait, or a pair of character portraits, in which the Americans are always in the light. That makes for a more focused effort, especially in regard to Riordan, whose self-flagellations (both real and imagined) largely drive the narrative. “His anger drained away,” Caputo writes of the priest, “and a gloom dropped over him, like a hood over a man about to be hanged.” Ultimately, however—and despite the force of the writing—this makes the novel too neat, too predictable. Caputo is taking on a messy territory, in which there are no answers, and everyone must do what they need to get along. This is the promise of his novel, that such disruption is contagious, but in the end, the book portrays less the corruption of a tarnished world than the blight of a single errant soul.

This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.

Pub Date: May 9, 2017

ISBN: 978-1-62779-474-9

Page Count: 368

Publisher: Henry Holt

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: March 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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