by Philip Caputo ‧ RELEASE DATE: May 9, 2017
This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.
A novel that couldn't be more timely: the story of culture clash and compromise in Mexico.
Caputo’s eighth novel revolves around two Americans, a priest and a physician, in the Mexican village of San Patricio. This is not, the author tells us, “Cancún [or] Puerta Vallarta”; rather, it is the Mexico of our darkest, wall-building fantasies, “one vast bad neighborhood, East L.A. or the South Side of Chicago on steroids.” Lest such an image seem stereotypical, it’s not—because Caputo is an acute observer of human disorder and disarray. The priest here, Father Timothy Riordan, is conflicted: about his celibacy, about his faith, and most of all about his tenuous position between the townspeople and the authorities. The doctor, Lisette Moreno, is more settled, but that is to some extent due to her privilege; she has come to Mexico by choice. Complicating everything is the presence of the Brotherhood, a gang of narcos so casually brutal that their threats and violence are never anything but believable. The moral landscape is reminiscent of Robert Stone, particularly his 1981 novel A Flag for Sunrise, which also revolves in part around a priest adrift in chaos south of the border. Stone’s perspective, though, is more apocalyptic, or perhaps, most accurately, touched with madness; among the challenges (and rewards) of his writing is the sense not just that the center isn’t holding, but also that there is no center to hold. Caputo is a more traditional novelist, and his aims are, finally, less ambitious; for all its detailed evocation of life in the village, his book is more or less a character portrait, or a pair of character portraits, in which the Americans are always in the light. That makes for a more focused effort, especially in regard to Riordan, whose self-flagellations (both real and imagined) largely drive the narrative. “His anger drained away,” Caputo writes of the priest, “and a gloom dropped over him, like a hood over a man about to be hanged.” Ultimately, however—and despite the force of the writing—this makes the novel too neat, too predictable. Caputo is taking on a messy territory, in which there are no answers, and everyone must do what they need to get along. This is the promise of his novel, that such disruption is contagious, but in the end, the book portrays less the corruption of a tarnished world than the blight of a single errant soul.
This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.Pub Date: May 9, 2017
ISBN: 978-1-62779-474-9
Page Count: 368
Publisher: Henry Holt
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
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IN THE NEWS
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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