by Philip Clark ‧ RELEASE DATE: Feb. 18, 2020
A nontraditional biography that sings despite its studious blocks of theory-heavy dissection.
The iconic jazz musician receives an adoring biography as unconventional and compelling as its subject.
As music journalist Clark notes, Dave Brubeck (1920-2012), “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced…optimistic, life-enhancing art.” The author eschews a standard, chronological narrative in favor of a forensic analysis of classic Brubeck cuts like “Take Five,” “Blue Rondo á la Turk,” “Unsquare Dance,” and many more. Just as many jazz greats used modest chord progressions to underpin their masterpieces, Clark employs a throughline of his own involving the 10 days he spent interviewing Brubeck on tour in the spring of 2003 to achieve something beyond the run-of-the-mill biography. The author is “riffing” like his musical idols when he writes about Brubeck’s penchant for “polytonality” and “polyrhythms.” A typical example of his exhaustive musing: “Laying arpeggios on thick, Brubeck recapped his theme as Benjamin’s ‘arco’ bass seesawed through the texture, spiraling around the rich chromaticism with an intense throbbing tone that projected like a whole section of cellos.” However fascinating his subject’s artistry may be, delving so deeply into the DNA of Brubeck’s decadeslong musical catalog does have the potential to alienate more casual music fans. Thankfully, Clark also hits all the right biographical notes along the way, including Brubeck’s time in the Army; his early days studying at Mills College in Oakland under the tutelage of Darius Milhaud; his efforts to steer clear of mobster Morris Levy, who was heavily involved in the 1950s jazz scene; his defiance of Jim Crow segregation in the South; and his deft leading of his Dave Brubeck Quartet to superstardom. The mix of musicology and biography allows Clark to paint an imitate portrait of Brubeck as a man of great personal and artistic integrity, and that may not have been possible if the author had simply stuck to a traditional score.
A nontraditional biography that sings despite its studious blocks of theory-heavy dissection.Pub Date: Feb. 18, 2020
ISBN: 978-0-306-92164-3
Page Count: 416
Publisher: Da Capo
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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