by Philip Eade ‧ RELEASE DATE: Oct. 11, 2016
Eade offers up a softer portrait of Waugh that might help bring him some new readers, which he deserves.
A softer, kinder, gentler Evelyn Waugh (1903-1966).
Since there are already numerous biographies of Waugh, is there need for another? Englishman Eade (Sylvia, Queen of the Headhunters, 2014, etc.) thinks so. For one thing, it’s the 50th anniversary of Waugh’s death; for another, Eade accessed some previously unavailable key primary resources. One is an unpublished memoir by Eade’s first wife, Evelyn (friends called her “Shevelyn”). After knowing her for a few months, Waugh proposed with the line: “Let’s get married and see how it goes.” The other was a large cache of letters from a young woman, Teresa, with whom Waugh had an affair in the 1930s. Waugh was a prolific writer of stories, novels, and travel books. Though he is better known in England than in the United States, two of his novels—Brideshead Revisited, which he called his “magnum opus,” and The Loved One, which he described as a “study of the Anglo-American cultural impasse with the mortuary as a jolly setting”—have earned him a readership in America. Early on, writes Eade, Waugh developed a “cruel streak.” His father was bad-tempered, and Waugh hated his older brother—though he said his early years were “happy enough.” When his novel Vile Bodies (1930) established him “as one of the country’s most celebrated young novelists,” his father complained about his son’s “vulgar self-publicising”—even though he ran the press that published it. Eade eschews discussing Waugh’s writings in any depth, preferring to focus on how they relate to the people in his life. The book is brimming with society-page stuff: tales of dalliances and social dinners; quotes commenting on who’s smitten with whom; who is/isn’t a homosexual; etc.—all of which grows tedious eventually. The author admits Waugh was probably something of a snob, but charges of his being a bully may be a stretch.
Eade offers up a softer portrait of Waugh that might help bring him some new readers, which he deserves.Pub Date: Oct. 11, 2016
ISBN: 978-0-8050-9760-3
Page Count: 432
Publisher: Henry Holt
Review Posted Online: Aug. 2, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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