by Philip Hensher ‧ RELEASE DATE: Nov. 13, 2012
Informative, amusing and idiosyncratic—just like an interesting letter written in unique hand.
Critic and novelist Hensher (Creative Writing/Univ. of Exeter; King of the Badgers, 2012, etc.) laments the loss of handwriting instruction and surveys the history of our love affair with the pen.
After some introductory comments about the once-important but now diminishing significance of handwriting in our culture, the author zooms back a few thousand years for a glimpse at the invention of writing. He then gradually moves forward to look at the various styles and techniques and teaching philosophies that once rose, reigned and fell. He occasionally inserts minichapters (all called “Witness”) that comprise interviews with people of differing ages, genders and professions discussing their handwriting, how they learned it and how they feel about it. (These are not the most riveting sections of the text.) Hensher looks closely at the methods that once were prominent—copperplate, Spencer, Palmer and others—and offers some surprising tidbits along the way—e.g., hand printing (as opposed to script) did not emerge until the early 20th century. The author also discusses the handwriting of significant historical figures ranging from Dickens to Hitler; talks about the role of handwriting in literature from Sherlock Holmes to Proust; charts the history of the quill, the steel nib and ink; and sketches the history of the “pseudo-science of graphology.” He waxes ironic and amusing, too, several times suggesting that a person who dot his i’s with little hearts is a “moron.” The author ends with a wistful list of things we might do to save the dying art.
Informative, amusing and idiosyncratic—just like an interesting letter written in unique hand.Pub Date: Nov. 13, 2012
ISBN: 978-0-86547-893-0
Page Count: 256
Publisher: Faber & Faber/Farrar, Straus and Giroux
Review Posted Online: Sept. 29, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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