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PLAYING INDIAN

A provocative study of the role of American Indians in forming the character of the US. Following D.H. Lawrence’s observation that the American character is essentially paradoxical (—wanting to savor both civilized order and savage freedom—), Deloria (History/Univ. of Colorado) traces the tendency, apparent since the arrival of the first colonists, of Anglo-Americans to appropriate Native American dress, customs, and habits. It was no accident, Deloria writes, that the perpetrators of the Boston Tea Party donned Indian headdresses before sending British cargo into the drink; they at once wanted to disguise themselves and proclaim a kind of solidarity with the continent’s first inhabitants. It allowed the restrained New Englanders to enjoy freedoms, and even a certain licentiousness, that wouldn—t have been possible in plain clothes. Indian societies were deconstructed and imagined in American literature, in secret societies like the Tammany and Cayuga Wolf all-white —tribes,— and in more open organizations like the Boy Scouts, whose American founder, Ernest Thompson Seton, suspected real Indians of harboring —unpatriotic sentiments.— Deloria turns up fascinating oddments, including the story of one Colorado Boy Scout troop that went native to the point that the national organization tried to reeducate them, but the scouts managed to reconstruct the secret Shalako ceremony of the Zuni Indians so convincingly that Zuni elders built a special kiva for the masks the young men had made. Deloria notes that —although the Boy Scouts of La Junta were not Indians, they were also more than simple, straightforward white boys.— He is less admiring of the hippies, Deadheads, and modern New Agers who continue to appropriate elements of Native American religion and culture today. But in the end, he concludes, Indianness —was the bedrock for creative American identities, but it was also one of the foundations . . . for imagining and performing domination and power in America.— A valuable contribution to Native American studies, and worthy of attention by readers in many fields.

Pub Date: April 1, 1998

ISBN: 0-300-07111-6

Page Count: 288

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1998

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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