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MEMORY'S GHOST

THE STRANGE TALE OF MR. M AND THE NATURE OF MEMORY

The mysteries of human memory are deftly probed by Hilts, New York Times Washington correspondent on science and health policy (Scientific Temperaments, 1982, etc.). Hilts delves into the case of Henry M., who was left without a memory when drastic experimental brain surgery to relieve his epilepsy failed. Some 40 years after Henry's disastrous encounter with the surgeon's knife, researchers are still learning from his tragedy how the brain creates memories. Hilts came to know the gentle Henry as well as anyone can know a creature who lives only in the present moment. It's a fascinating account, made more so by Hilts's knack for finding concrete images, e.g., ``What . . . is now missing for Henry is the engine of memory which we use to catch the events of the world as they go by.'' Although Hilts notes that describing the mind's mysteries has been largely left to scientists who cannot express well what they know and to poets who can express well but know little, his own writing achieves a gracious balance between science and literature. He shares painful personal memories, and he seeks out articulate scientists to help him explain the biology and chemistry of memory. In addition, Hilts traces a kind of history of memoryfrom its precursors in the responses of simple animals to marks made on bone by early humans to Homer's catalogs of ships and warriors to Proust's Remembrance of Things Past. His conclusion, that memorythe central trait of the human mindis an act of construction, not of recording, and that memory's chief feature is its malleability, will afford little comfort to recovered memory therapists. Fans of Oliver Sacks will find much to savor here.

Pub Date: Aug. 1, 1995

ISBN: 0-684-80356-9

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1995

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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