by Philip J. Hilts ‧ RELEASE DATE: Aug. 1, 1995
The mysteries of human memory are deftly probed by Hilts, New York Times Washington correspondent on science and health policy (Scientific Temperaments, 1982, etc.). Hilts delves into the case of Henry M., who was left without a memory when drastic experimental brain surgery to relieve his epilepsy failed. Some 40 years after Henry's disastrous encounter with the surgeon's knife, researchers are still learning from his tragedy how the brain creates memories. Hilts came to know the gentle Henry as well as anyone can know a creature who lives only in the present moment. It's a fascinating account, made more so by Hilts's knack for finding concrete images, e.g., ``What . . . is now missing for Henry is the engine of memory which we use to catch the events of the world as they go by.'' Although Hilts notes that describing the mind's mysteries has been largely left to scientists who cannot express well what they know and to poets who can express well but know little, his own writing achieves a gracious balance between science and literature. He shares painful personal memories, and he seeks out articulate scientists to help him explain the biology and chemistry of memory. In addition, Hilts traces a kind of history of memoryfrom its precursors in the responses of simple animals to marks made on bone by early humans to Homer's catalogs of ships and warriors to Proust's Remembrance of Things Past. His conclusion, that memorythe central trait of the human mindis an act of construction, not of recording, and that memory's chief feature is its malleability, will afford little comfort to recovered memory therapists. Fans of Oliver Sacks will find much to savor here.
Pub Date: Aug. 1, 1995
ISBN: 0-684-80356-9
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1995
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BOOK REVIEW
by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by Elijah Wald
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by Elijah Wald
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by Elijah Wald
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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