by Philip K. Dick ‧ RELEASE DATE: Nov. 1, 1985
The diffidence of the title is appropriate: this is a subtle, minimalist portrait of two American couples circa 1953 by the late Dick—a writer best known for his sardonic, pyrotechnic science fiction. Only the second of his early realistic novels to see print (Confessions of a Crap Artist appeared in 1975), this is set in postwar southern California, with excellent flashbacks to a Forties milieu of around-the-clock defense plants and the dogged, weary workers who staffed them. Dick's central characters, Roger and Virginia Lindahl, have gravitated to California from wartime Washington, D.C. Rootless and ill-matched, they stay shakily together until their small son's enrollment in a private school creates a crisis. Dick, whose message throughout his career had to do with the dangers of totalitarianism (seen by him in a thousand guises), once said the menace lurked even in private relationships—whenever "someone. . .is more powerful than you." Perhaps this conviction inspired his focus on the shifting balance of power in the marriage of Roger and Virginia Lindahl. Roger is an Arkansas farm boy, a drifter and dreamer who has already abandoned one family and who sticks with Virginia after the war only because his overbearing, Boston-bred mother-in-law sets him up in his own TV sales and repair shop. His all-too-poised wife Virginia, on the other hand, is a soi disant aristocrat involved in "therapeutic dance," unconsciously hostile not only to Roger but also to her small son. When Roger and Virginia meet another couple with children in this son's private school—uptight Chic Bonner and his slatternly but rather appealing wife Liz—both couples begin to disintegrate. Though Dick never quite brings off Roger Lindahl (he emerges as likeable but too habitually cerebral to be convincing as an uneducated "natural"), he nonetheless writes perceptively of his California setting. If published when written during the 1950's, chances are that this distinctly uncommercial character study would have sunk without a trace. Its strongest appeal in 1985 is likely to be its sketchy but memorable re-creation of the real ambiance of the war and postwar years—an era that popular myth has already eroded into a series of "Happy Days" clich‚s.
Pub Date: Nov. 1, 1985
ISBN: 0765316943
Page Count: 333
Publisher: Academy Chicago
Review Posted Online: Sept. 22, 2011
Kirkus Reviews Issue: Oct. 15, 1985
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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