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SELECTED LETTERS OF PHILIP LARKIN

1940-1985

Readers of Andrew Motion's recent biography (p. 646) of Larkin (d. 1985), who's now recognized as one of the great poets of our century, won't be surprised by the revelations in this generous selection of letters. Larkin's misguided sympathy for Germany in the early years of WW II, his cranky xenophobia, his outrageous misogyny, and his devastating put-downs of other poets (especially Stephen Spender, Ted Hughes, and Vikram Seth) should also come as no surprise. After all, his problems with women, his severe melancholia, and his deep- rooted misanthropy are everywhere evident in the poetry. Not to be overlooked in all the disagreeable material, though, are the elements often missing in Motion's somewhat humorless tome. In his own words, Larkin is a constant pleasure—witty, slangy, and full of profound insight into the writers who matter most to him, from his early admiration of Auden, Lawrence, and Yeats to his later veneration of fellow plain-speaking poets such as Hardy, Edward Thomas, and Gavin Ewart. Heavily represented among the recipients of these 700-odd letters are Larkin's grade-school buddies, publishers, and a few solid literary friends. With his pals, Larkin indulged his love of vulgarity: A proud masturbator, he trades soft-core porn tips with his kindred spirit, Kingsley Amis, and with poet-historian Robert Conquest. Larkin's lifelong devotion to jazz surfaces not only in his numerous discussions of favorite albums but also in the rhythms of his prose. Most touching of all, though, is the poet's long epistolary friendship with Barbara Pym, a lovely testament to their spiritual affinity—they didn't meet until very late in their correspondence. Editor Thwaite (one of Larkin's three executors) never adequately explains the most glaring omission here—the poet's letters to family members. But to Thwaite's credit, he annotates with a light hand, ensuring that no one interested in Larkin or the course of modern poetry can afford to ignore this spectacular volume. (Illustrations)

Pub Date: Dec. 1, 1993

ISBN: 0-374-25829-5

Page Count: 791

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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