by Philip Levine ‧ RELEASE DATE: Jan. 21, 1994
Nine autobiographical essays (all published previously in literary magazines) by National Book Award-winning poet Levine, forming a rough but revealing chronicle of influences and inspiring moments—from the author's humbling origins to his contemplations of later life. In the first episode, a gentle tribute to John Berryman- -Levine's mentor in his first year at the Iowa Writers' Workshop- -the life and craft of the poet appear completely entwined. Whether learning at the feet of the prickly but humane Berryman, or subsequently being encouraged as a Stanford Fellow under the tutelage of Yvor Winters, apprentice Levine's circumstances are rendered with wit and considerable feeling. Other experiences, however—including a 1965 sabbatical with wife and children in Franco's Spain that afforded the opportunity to discover and appreciate Spanish poets such as Antonio Machado (with five poems of Machado, translated by Levine, included) and to grasp the full tragedy of the Republican defeat—prove even more moving. In a typically wide-ranging chain of associations, another essay links childhood encounters with class realities in Detroit to much later ruminations on Spanish anarchism experienced while the poet was in Barcelona—with these linked to Levine's apology, through analysis of Yeat's ``Sailing to Byzantium,'' for having failed to live according to the anarchist ideal. Restless, probing fragments of a memoir that mix lyricism and life in equal measure, creating a subtle portrait of the poet both in embryo and fulled formed.
Pub Date: Jan. 21, 1994
ISBN: 0-679-42406-7
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1993
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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