by Philip Levine ‧ RELEASE DATE: Nov. 9, 2016
Like his poetry, Levine’s essays are generous, honest, and real.
One of our finest poets recalls a life well lived in poetry.
A former American Poet Laureate and winner of the Pulitzer Prize and National Book Award, Levine (News of the World, 2009, etc.) was in the process of finishing this sparkling collection of essays and lectures when he died (1928-2015). His good friend and fellow poet Edward Hirsch helped to complete the project. In the title piece, which Hirsch calls “one of the great textured descriptions of a writer finding his vocation,” Levine describes in loving detail discovering a group of fellow aspiring poets at Detroit’s Wayne University, where he read and wrote poetry with a small group of enthusiastic, like-minded undergraduates. “Where would I have been without all of them”—the poets he discovered and the friends “who shared with me their faith in the power of the perfect words.” In a piece on the influence his “master,” Williams Carlos Williams, had on his early career, Levine acknowledges that Williams’ poems, written in the “spoken language of my country,” turned him away from his “English masters toward the effort to create a poetry original and audacious enough to be American.” Great poets don’t always make great teachers. Levine attended the University of Iowa in the fall of 1953 and took Robert Lowell’s class. Lowell taught “badly,” and students started dropping out. John Berryman, on the other hand, captivated the students: “Never again would I encounter so great a poem [by Dylan Thomas] so perfectly presented.” The book is full of scintillating remembrances of fellow poets. Berryman could be “both brilliant and candid,” but Thom Gunn had “an ‘aura,’ a sort of inner beauty that was manifest in all of his actions.” Levine also speaks lovingly of his “mentor and friend” George Hitchcock and his seminal literary magazine, kayak,” and his piece on little-known Roberta Spear, who died young, will have readers rushing to her work.
Like his poetry, Levine’s essays are generous, honest, and real.Pub Date: Nov. 9, 2016
ISBN: 978-0-451-49327-9
Page Count: 224
Publisher: Knopf
Review Posted Online: Sept. 16, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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