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THE TIN PRINCESS

Pullman sets some of the younger characters from The Ruby and the Smoke (1987) and the other Sally Lockhart books center stage for another taut adventure. Adelaide, an intelligent Cockney who's now a lovely (but illiterate) young woman, has escaped a London brothel to marry Prince Rudolf of Razkavia, a small country tucked between Austria and Bismarck's Germany. In 1882, the couple returns to Razkavia, taking Becky, 16, a Razkavian political refugee who's been teaching Adelaide German and serves as interpreter, and Jim, now a detective, still smitten with Adelaide, his childhood sweetheart. After some unexpected deaths Rudolph becomes king, only to be assassinated at his coronation, whereupon Adelaide seizes her new subjects' fealty by heroically carrying a historic flag up a mountain to its traditional site. But traitors—not just the assassin—are at large. In the process of the trio's tracking them down, Pullman offers a grand series of maneuvers, calling on all their considerable wits and courage as well as the various loyalties of numerous other picturesque characters (helpfully listed at the outset). Still, though these exploits will appeal greatly to fans of Lloyd Alexander's Vesper Holly (The Illyrian Adventure, etc.), in the end—after the puppets of realpolitik are unmasked and the power of the German chancellor and his banker and munitions- manufacturer cohorts can no longer be ignored—this is in the darker spirit of his Westmark. A mesmerizing yarn that delivers on its promises. (Fiction. 11+)

Pub Date: April 1, 1994

ISBN: 0-679-84757-X

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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THE SECRET WORLD OF BRIAR ROSE

Somberly beautiful.

A girl goes in search of her missing sister and discovers a strange hidden world of dreams.

Corin, who’s 18 and dark-skinned, strives to protect her 12-year-old sister, Elly. But life as a thief is full of struggle, poverty, and loss, even without Corin’s avoidance of other relationships. Elly clings to the promise of fairy tales, like the one that says a princess lies sleeping in an underground castle after pricking her finger on a spindle. After the sisters fight and Elly runs off, Corin searches for her in Gyldan’s old network of tunnels—and finds the tale is true: Cursed Princess Amelia, golden-haired, with eyes like “sea glass” and porcelain skin, lies asleep, surrounded by flowers. Corin enters the princess’ dreamworld—the place “where your subconscious desires come to life.” She meets Briar Rose, Amelia’s alter ego, who experienced her share of sadness and wanted to fall asleep. Also in the dreamworld is green-skinned Malicine, the nonbinary demon who, despite having placed the curse of eternal slumber on Amelia, is mostly friendly. All three are running from things they can’t face, though the dreamworld may not give them a choice. Pham’s debut, a Sapphic reimagining of “Sleeping Beauty,” explores mental health and asks a lot of readers as it seesaws between emotional confrontations, time jumps, and scenes where one character inhabits the memories of another, all of which demand intense engagement. Still, the ending is earned as well as positive.

Somberly beautiful. (content note) (Fantasy. 14-18)

Pub Date: June 2, 2026

ISBN: 9798217113026

Page Count: 400

Publisher: Kokila

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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