Roth—the most relentlessly and trickily autobiographical of major American novelists—now offers "to demythologize myself and play it straight, to pair the facts as lived with the facts as presented." This book was written, he says, in the wake of a 1987 nervous breakdown—"to transform myself into myself, I began rendering experience untransformed"—and it consists of five smallish memoirs for his life up to around age 35. . .plus a fine (and necessary) zinger of an epilogue. The first, very brief section is a quasi-idyllic view of growing-up Jewish in lower-middle-class, 1940's New Jersey: aware of anti-Semitism, but thriving on baseball, adolescent camaraderie with other Jewish-American kids, and reliable parents. (There's also a touching portrait of Roth's relationship today with his old, frail father.) Next comes "Joe College"—in which Philip eagerly goes away to college, to Bucknell; he joins in the clownish doings of a Jewish fraternity, edits an irreverent campus journal, and acquires a steady girlfriend (furtive sex, pregnancy panics). Then, in the ironically titled "Girl of My Dreams," Roth chronicles his long, turbulent affair with—and eventual marriage to—non-Jewish Josie, divorced mother of two, "raving within and stolildly blond without." For Roth (newly published, a U. of Chicago instructor/grad-student), this was a chance to prove his de-ghetto-ization and his gutsiness—"by dint of taming the most fearson female that a boy of my background might be unfortunate enough to meet on the erotic battlefield." The result, however, was a nightmare of abortions, quarrels, "a running feud focused on my character flaws," and a wedding-by-trickery that Roth later dramatized in My Life as a Man. The fourth chapter, "All in the Family," focuses on the Jewish anti-Roth furor triggered by his story "Defender of the Faith"; the "angry Jewish resistance that I aroused," he says, "was the luckiest break I could have had. I was branded"—and compelled to keep writing about Jews. So the final memoir inevitably involves the creation of the notorious Portnoy's Complaint—which grew out of Roth's ugly breakup and court battle with Josie, his psychoanalysis, a five-year relationship with another (gentler) "shiksa," and the stormy mood of the 1960's. All five sequences are crisp, ironically humorous, engagingly thoughtful. Yet there's a feeling throughout that Roth is tending to skim the surface, to smooth the edges, of some very raw, complicated material. And Roth himself must have shared that feeling—because the epilogue is a blistering 35-page review of the book by. . .Nathan Zuckerman, that irrepressible alter ego. Zuckerman finds the memoirs too "kind, discreet, careful" to be truthful; he mocks the idyllic "romance of your childhood," distrusts the portrait of Josie ("Everything you are today you owe to an alcoholic shiksa"), and wonders why Roth's sexual compulsions get so little attention, it's a slightly precious gimmick—but a neat, corrosive windup to a semi-absorbing semi-autobiography that raises as many questions as it answers.
Pub Date: Sept. 19, 1988
ISBN: 0679749055
Page Count: 195
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Aug. 15, 1988
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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