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DAYS OF DRUMS

A rookie Secret Service agent's troubles are only beginning when a scheming senator gets killed on her watch—in this fleet political thriller from Shelby, the Los Angeles-based author of This Far From Paradise (1988). Even if she'd followed the safety precautions she let Senator Charles Westbourne fatally tone down, Holland Tylo, left fatherless herself by an assassination 15 years ago, would have been no match for the hired killer who calls himself Preacher—a man with no nerves, years of experience, the best connections in the business, and a real fondness for his work. The true test of Holland's mettle comes after she's shuffled onto enforced leave and realizes she's carrying something—a diskette full of damning testimony against all the best senators—that Westbourne's killer missed. Everybody wants the diskette, and Preacher, coolly eager to kill Holland and grab the goods, will have to queue up with Holland's boss, Secret Service deputy director Arliss Johnson; her lover, Service agent Frank Suress; and madly ambitious Senator James Croft, determined to buy his way into the Cardinals, Westbourne's senatorial cabal, with the diskette's dirty linen—or use it to vault over the Cardinals into the White House. From here on in, you could probably write the story yourself: Holland goes on the run, calls people who assure her they can bring her in safely, gets betrayed, and goes on the run again, as Preacher, carefully established as a sexual sadist in addition to his other habits, strides a step behind her, repeatedly just missing her while winnowing the field of the less fortunate. But you could never write it as rapidly and efficiently as Shelby, whose narrative instincts, honed presumably by big-ticket movies, carry even the most preposterous counterplots into a current so dizzying that you'll probably finish the book in less time than it would take to see the movie. An even slicker version of The Pelican Brief, with the Senate sitting in for the Supreme Court. Paging Julia Roberts. (First printing of 250,000; film rights to Tri-Star)

Pub Date: Jan. 1, 1996

ISBN: 0-684-80177-9

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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