 
                            by Philip Short ‧ RELEASE DATE: Feb. 8, 2005
A superbly wrought, richly nuanced study in evil, though more likely to attract discussion for its controversial conclusion...
“He was very likeable, a really nice person. He was friendly, and everything he said seemed very sensible.” But he was also one of history’s most accomplished mass murderers, as this portrait shows.
The man born Saloth Sâr in 1925 was something of an accidental communist, suggests former Beijing BBC correspondent Short (Mao: A Life, 2000). As a young foreign-exchange student in 1950 Paris, Sâr had the chance to go camping for a month in Switzerland but, unable to afford the $70 fee, instead took a free work-study trip to Yugoslavia. A revolutionary was thus born, though it appears that Sâr was pushed hard to the left by the intransigent, newly installed Prince Norodom Sihanouk, who suppressed the democratic reform movements of the time. As a guerrilla living among the Montagnard people in Cambodia’s eastern highlands, Sâr slowly elaborated a city-dweller–hating ideology that, Short writes, would form the basis of a modern slave state: farmers outside the zone of urban corruption were the vanguard of a nativist revolutionary movement; urbanites were first in line to be imprisoned and executed. He adopted his new name (the Pols had been royal slaves) in 1970, the year the American invasion of Cambodia swelled the ranks of the Khmer Rouge. Pol Pot’s peasant cadres drove the Americans away and, once the foreigners were gone, turned their weapons on their own people—often, Short writes, cannibalizing their victims. As many as 1.5 million Cambodians died from 1975 to 1978, when a Vietnamese invasion ended the terror. (Pol fled, dying 20 years later, still “chillingly unrepentant.”) Yet, Short argues, recent attempts to try the surviving Khmer Rouge leadership for genocide are legally inexact and in all events seem intended to disguise America’s role in the bloodbath, as well as the involvement of still-powerful figures like Sihanouk, who only recently abdicated.
A superbly wrought, richly nuanced study in evil, though more likely to attract discussion for its controversial conclusion than its careful rendering of its murderous subject.Pub Date: Feb. 8, 2005
ISBN: 0-8050-6662-4
Page Count: 672
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2004
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PROFILES
 
                            by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
 
                            by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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