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POL POT

ANATOMY OF A NIGHTMARE

A superbly wrought, richly nuanced study in evil, though more likely to attract discussion for its controversial conclusion...

“He was very likeable, a really nice person. He was friendly, and everything he said seemed very sensible.” But he was also one of history’s most accomplished mass murderers, as this portrait shows.

The man born Saloth Sâr in 1925 was something of an accidental communist, suggests former Beijing BBC correspondent Short (Mao: A Life, 2000). As a young foreign-exchange student in 1950 Paris, Sâr had the chance to go camping for a month in Switzerland but, unable to afford the $70 fee, instead took a free work-study trip to Yugoslavia. A revolutionary was thus born, though it appears that Sâr was pushed hard to the left by the intransigent, newly installed Prince Norodom Sihanouk, who suppressed the democratic reform movements of the time. As a guerrilla living among the Montagnard people in Cambodia’s eastern highlands, Sâr slowly elaborated a city-dweller–hating ideology that, Short writes, would form the basis of a modern slave state: farmers outside the zone of urban corruption were the vanguard of a nativist revolutionary movement; urbanites were first in line to be imprisoned and executed. He adopted his new name (the Pols had been royal slaves) in 1970, the year the American invasion of Cambodia swelled the ranks of the Khmer Rouge. Pol Pot’s peasant cadres drove the Americans away and, once the foreigners were gone, turned their weapons on their own people—often, Short writes, cannibalizing their victims. As many as 1.5 million Cambodians died from 1975 to 1978, when a Vietnamese invasion ended the terror. (Pol fled, dying 20 years later, still “chillingly unrepentant.”) Yet, Short argues, recent attempts to try the surviving Khmer Rouge leadership for genocide are legally inexact and in all events seem intended to disguise America’s role in the bloodbath, as well as the involvement of still-powerful figures like Sihanouk, who only recently abdicated.

A superbly wrought, richly nuanced study in evil, though more likely to attract discussion for its controversial conclusion than its careful rendering of its murderous subject.

Pub Date: Feb. 8, 2005

ISBN: 0-8050-6662-4

Page Count: 672

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2004

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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