Offers rewarding insights into a period often obscured from view by the decades of conflict that followed.
As Queen Victoria passes, Vienna-based historian Blom (To Have and to Hold: An Intimate History of Collectors and Collecting, 2003, etc.) finds a Modern World breaking through the crust.
In this masterful presentation, the time in question is so richly laced with scientific bedazzlement, social ferment and cultural churning that a sense of giddying misadventure begins to feel strangely familiar. The roots of tensions that alternately bind and threaten to fracture today’s Europe are all there, easily visible to us in hindsight but not to most of those who lived through it and experienced as a result, the author posits, mass vertigo. In analytical chronicles of this kind, the little delights that leap out serendipitously are a large part of the reward. The French, supposed masters of the art of love who were unable to reproduce sufficiently to maintain the population, still held sway as cultural arbiters, anointed in 1870 by a historian who noted: “Perhaps nothing is properly understood in Europe until the French have explained it.” Yet these explicating authorities initially greeted groundbreaking painters van Gogh and Gauguin as insane and animalistic. The Viennese specialized in elegant duplicity, with their high airs and public manners masking a seamy nightlife whose amateur prostitutes almost outhustled the pros. Best tidbit: Felix Salten, the Austrian writer who invented precious little Bambi, also produced outrageously pornographic works. Sigmund Freud gave up researching the function of bone marrow in lower fishes just in time to define the malaise of the age—and treat those who could afford him. Parisians shrugged then cowered in fear as growing masses of violent street gangs mocked law and order. Real men hated the proto-feminists, and raving anti-Semites saw Jews behind every ill. From Thomas Eakins’s stroboscopic photos to Duchamp’s descending nude, everything was coming apart.
Offers rewarding insights into a period often obscured from view by the decades of conflict that followed.Pub Date: Nov. 1, 2008
ISBN: 978-0-465-01116-2
Page Count: 512
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2008
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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