An uneven but still welcome addition to the Gregory cannon.



In the second of Gregory’s Fairmile series—after Tidelands (2019)—Venetian intrigue meets English gullibility.

When we last saw Alinor Reekie, she had been cast out of her Sussex tidelands home after being “swum” as a witch. Twenty-one years after their escape to London, Alinor and her older daughter, Alys, run a small import-export warehouse while 21-year-old twins Sarah and Johnnie are learning a trade. Now, in 1670, Sir James, Alinor’s former lover, who failed to defend her against the witch-hunters, has come into his noble estate and arrives, far too belatedly, to offer to marry Alinor. He's also hoping to claim the child she was carrying at the time of her exile as his heir, but Alinor rejects him, telling him cryptically that he has no child. There is no clear protagonist here. White-haired Alinor, “not yet fifty,” whose health never recovered from her near drowning, has been shunted into an advisory role. Into this modest but content household slinks Livia, a sultry Venetian, self-professed widow of Alinor’s son Rob, a physician in Venice who accidentally drowned. “La Nobildonna” (title courtesy of her first late husband) seeks shelter with her infant son, Matteo. Alinor is suspicious—her clairvoyance would have warned her of Rob’s death. Readers will not need second sight to distrust Livia, but it’s fun to watch her swindle—involving ancient statuary—take shape. Unsurprisingly, her long game is to ensnare the ever susceptible Sir James. In what could be a separate novel, Alinor’s brother Ned, a staunch “Leveler,” has immigrated to New England. The détente between English settlers and Native tribes is beginning to fray, and Ned, in an exposition-heavy but very instructive parallel plot, is trying his best to advocate for the Natives. However, readers will be tempted to skip Ned’s sections to see whether Sarah, also gifted with second sight, can rescue the family. Someone has to!

An uneven but still welcome addition to the Gregory cannon.

Pub Date: Nov. 24, 2020

ISBN: 978-1-5011-8718-6

Page Count: 464

Publisher: Atria

Review Posted Online: Oct. 14, 2020

Kirkus Reviews Issue: Nov. 1, 2020

Did you like this book?

No Comments Yet

A compelling portrait of a marriage gone desperately sour.


In December 1926, mystery writer Agatha Christie really did disappear for 11 days. Was it a hoax? Or did her husband resort to foul play?

When Agatha meets Archie on a dance floor in 1912, the obscure yet handsome pilot quickly sweeps her off her feet with his daring. Archie seems smitten with her. Defying her family’s expectations, Agatha consents to marry Archie rather than her intended, the reliable yet boring Reggie Lucy. Although the war keeps them apart, straining their early marriage, Agatha finds meaningful work as a nurse and dispensary assistant, jobs that teach her a lot about poisons, knowledge that helps shape her early short stories and novels. While Agatha’s career flourishes after the war, Archie suffers setback after setback. Determined to keep her man happy, Agatha finds herself cooking elaborate meals, squelching her natural affections for their daughter (after all, Archie must always feel like the most important person in her life), and downplaying her own troubles, including her grief over her mother's death. Nonetheless, Archie grows increasingly morose. In fact, he is away from home the day Agatha disappears. By the time Detective Chief Constable Kenward arrives, Agatha has already been missing for a day. After discovering—and burning—a mysterious letter from Agatha, Archie is less than eager to help the police. His reluctance and arrogance work against him, and soon the police, the newspapers, the Christies’ staff, and even his daughter’s classmates suspect him of harming his wife. Benedict concocts a worthy mystery of her own, as chapters alternate between Archie’s negotiation of the investigation and Agatha’s recounting of their relationship. She keeps the reader guessing: Which narrator is reliable? Who is the real villain?

A compelling portrait of a marriage gone desperately sour.

Pub Date: Dec. 29, 2020


Page Count: 288

Publisher: Sourcebooks Landmark

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

Did you like this book?

No Comments Yet

A story with both comedy and heartbreak sure to please Backman fans.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller


Eight people become unlikely friends during a hostage situation created by an inept bank robber.

In a town in Sweden, a desperate parent turns to bank robbery to help pay the rent. Unfortunately, the target turns out to be a cashless bank, which means that no robbery can take place. In an attempt to flee the police, the would-be perpetrator runs into a nearby apartment building and interrupts an open house, causing the would-be buyers to assume they're being held hostage. After the situation has ended with an absent bank robber and blood on the carpet, a father-and-son police pair work through maddening interviews with the witnesses: the ridiculous realtor; an older couple who renovates and sells apartments in an effort to stay busy; a bickering young couple expecting their first child; a well-off woman interested only in the view from the balcony of a significant bridge in her life; an elderly woman missing her husband as New Year’s Eve approaches; and, absurdly, an actor dressed as a rabbit hired to disrupt the showing and drive down the apartment price. Backman’s latest novel focuses on how a shared event can change the course of multiple people’s lives even in times of deep and ongoing anxiousness. The observer/narrator is winding and given to tangents and, in early moments, might distract a bit too much from the strongly drawn characters. But the story gains energy and sureness as it develops, resulting in moments of insight and connection between its numerous amiable characters.

A story with both comedy and heartbreak sure to please Backman fans.

Pub Date: Sept. 8, 2020

ISBN: 978-1-5011-6083-7

Page Count: 352

Publisher: Atria

Review Posted Online: June 17, 2020

Kirkus Reviews Issue: July 1, 2020

Did you like this book?