by Philippa Gregory ‧ RELEASE DATE: June 4, 2002
Absorbing tale of a Renaissance family determined to climb as high as they can, whatever the cost.
Historically based, page-turning story of Mary Boleyn, sister of the infamous Anne, decapitated by Henry VIII: here, as much a tale of love and lust as it is a saga about an ambitious family who used their kin as negotiable assets.
Rich with period detail, the story is told by Mary, the younger sister, who is married off at 13 to William Carey, a courtier at Henry’s court. Mary serves Queen Katherine, mother of the future Queen Mary, and begins her tale when her sister Anne, stylish and beautiful, returns from France to join Mary at court. The sisters’ ambitious parents and their uncle, the future Duke of Norfolk, are determined to acquire power and influence, as well as titles and estates, from the king, even if it means that Mary must become his mistress. Their son George is made to work on his sisters’ behalf and to live a life not of his choosing (he’s homosexual and loves a fellow courtier). Mary bears the king a son, but Anne soon after uses all her wiles to make Henry divorce the Queen and marry her. The Boleyns, more ruthlessly functional than dysfunctional, continue to plot and push to achieve their ends. Mary recounts the king’s wish for a male heir; his break with the Pope; Anne’s skillful if criminal plotting that leads to the divorce and her marriage to Henry; the birth of the future Queen Elizabeth; and Anne’s desperate attempts to bear a son. Meanwhile, she herself, widowed after her first husband dies from the plague, finds love with Sir William Stafford—the only strand of the story with possibilities for future happiness.
Absorbing tale of a Renaissance family determined to climb as high as they can, whatever the cost.Pub Date: June 4, 2002
ISBN: 0-7432-2744-1
Page Count: 672
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
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by Toni Morrison ‧ RELEASE DATE: May 8, 2012
At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella,...
A deceptively rich and cumulatively powerful novel.
At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella, but because the setup seems generic. A black soldier returns from the Korean War, where he faces a rocky re-entry, succumbing to alcoholism and suffering from what would subsequently be termed PTSD. Yet perhaps, as someone tells him, his major problem is the culture to which he returns: “An integrated army is integrated misery. You all go fight, come back, they treat you like dogs. Change that. They treat dogs better.” Ultimately, the latest from the Nobel Prize–winning novelist has something more subtle and shattering to offer than such social polemics. As the novel progresses, it becomes less specifically about the troubled soldier and as much about the sister he left behind in Georgia, who was married and deserted young, and who has fallen into the employ of a doctor whose mysterious experiments threaten her life. And, even more crucially, it’s about the relationship between the brother and his younger sister, which changes significantly after his return home, as both of them undergo significant transformations. “She was a shadow for most of my life, a presence marking its own absence, or maybe mine,” thinks the soldier. He discovers that “while his devotion shielded her, it did not strengthen her.” As his sister is becoming a woman who can stand on her own, her brother ultimately comes to terms with dark truths and deep pain that he had attempted to numb with alcohol. Before they achieve an epiphany that is mutually redemptive, even the earlier reference to “dogs” reveals itself as more than gratuitous.Pub Date: May 8, 2012
ISBN: 978-0-307-59416-7
Page Count: 160
Publisher: Knopf
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
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by Bernard Cornwell ‧ RELEASE DATE: Nov. 26, 2019
This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.
Plenty of gore from days of yore fills the 12th entry in Cornwell’s The Last Kingdom series (War of the Wolf, 2018, etc.).
The pagan warlord Uhtred of Bebbanburg narrates his 10th-century adventures, during which he hacks people apart so that kingdoms might be stitched together. He is known to some as the Godless or the Wicked, a reputation he enjoys. Edward, King of Wessex, Mercia, and East Anglia is gravely ill, and Uhtred pledges an oath to likely heir Æthelstan to kill two rivals, Æthelhelm and “his rotten nephew,” Ælfweard, when the king dies. Uhtred’s wife, Eadith, wants him to break that oath, but he cannot live with the dishonor of being an oathbreaker. The tale seems to begin in the middle, as though the reader had just turned the last page in the 11th book—and yet it stands alone quite well. Uhtred travels the coast and the river Temes in the good ship Spearhafoc, powered by 40 rowers struggling against tides and currents. He and his men fight furious battles, and he lustily impales foes with his favorite sword, Serpent-Breath. “I don’t kill the helpless,” though, which is one of his few limits. So, early in the story, when a man calling himself “God’s chosen one” declares “We were sent to kill you,” readers may chuckle and say yeah, right. But Uhtred faces true challenges such as Waormund, “lord Æthelhelm’s beast.” Immense bloodletting aside, Cornwell paints vivid images of the filth in the Temes and in cities like Lundene. This is mainly manly fare, of course. Few women are active characters. The queen needs rescuing, and “when queens call for help, warriors go to war.” The action is believable if often gruesome and loathsome, and it never lets up for long.
This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.Pub Date: Nov. 26, 2019
ISBN: 978-0-06-256321-7
Page Count: 336
Publisher: HarperCollins
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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