by Philippe Delerm ; translated by Jody Gladding ‧ RELEASE DATE: April 4, 2023
Brief, tender instruction on how to stop and smell the roses.
A French author meditates on the simple pleasures of life.
In the translator’s note, Gladding writes, “these pieces are drawn from The Troubled Waters of the Mojito and The Ecstasy of the Selfie, the most recent collections of…Delerm’s ‘literary snapshots,’ a genre he invented over two decades ago and still uniquely represents.” Throughout this collection of lighthearted vignettes, the author invites readers to slow down and cherish moments—e.g., getting caught in a rain shower, eating a clementine one-handed, and dancing as if no one is watching, “making peace with your body.” Delerm also explores the serenity that comes from folding sheets, the brightness to be found in washing windows, and the calmness that arrives when you hold a physical book in your hand. “In essence,” writes the author, “it holds a promise of solitude, retreat, silence.” Other elements of everyday life take on a darker tone, such as the self-destructive nature of vaping, the drama associated with achieving the perfect selfie, the isolation of using a smartphone, the impatience that can arise from waiting at a restaurant, and the agitation that comes from losing memories to Alzheimer’s. Of one such person, the author writes, “She’ll remember that she lost something, she won’t know what. They say it’s hell. But there isn’t a word for it.” Delerm examines many intimate moments in life, such as the expressions of ecstasy that desserts can elicit or the joy of bouncing a baby in your arms. The author also contemplates the regional joys of France and Italy, including viewing a Michel Bouquet play from the third balcony, watching tango dancers near the Seine, and observing summer tourists gather at the San Giacomo fountain in Venice. Although the text feels disjointed, perhaps necessarily so, Delerm’s brief observations allow readers to dip in and out, offering moments of reflection and contemplation as time permits.
Brief, tender instruction on how to stop and smell the roses.Pub Date: April 4, 2023
ISBN: 9781953861542
Page Count: 164
Publisher: Archipelago
Review Posted Online: Jan. 10, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Sloane Crosley ‧ RELEASE DATE: Feb. 27, 2024
A marvelously tender memoir on suicide and loss.
An essayist and novelist turns her attention to the heartache of a friend’s suicide.
Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.
A marvelously tender memoir on suicide and loss.Pub Date: Feb. 27, 2024
ISBN: 9780374609849
Page Count: 208
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Sept. 19, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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