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MONTAIGNE

A LIFE

A dense work to be read in conjunction with the humanist’s own eloquent writing.

Revisiting the public and private life of the extraordinary humanist in light of religious divisions of the 16th century.

In this translated work of scholarly minutiae, French Renaissance historian and Montaigne expert Desan (Renaissance Literature and History of Culture/Univ. of Chicago; editor: The Oxford Handbook of Montaigne, 2016, etc.) asserts that readers should not ignore Michel de Montaigne’s life (1533-1592) as a public official, the details of which shed light on his lifelong literary achievement, the Essays. Indeed, Montaigne’s act of intimate literary introspection invites critics to delve into his biography, beginning with his assumption of the noble name of Montaigne for the first time in his family’s history since his wealthy merchant forebears purchased the Montaigne seigniory in Bordeaux a century before. As the first surviving son, classically educated, a magistrate by profession and then mayor of Bordeaux, like his father, Montaigne had unique ambitions of social ascension during the era of smoldering Catholic-Protestant tensions. He served several kings as well as (Protestant) Henry of Navarre, who would become Henri IV, and he conceived of his writing as history and politics, but the essays would change over time to reflect his gradual withdrawal from public life (he never became an ambassador) and adoption of the life of a gentleman author. Desan shows how Montaigne assumed the métier of a writer from 1588 onward, literally annotating his previous essays by writing in the margins and altogether inventing a new style—what Desan terms more of a memoir than essay. Would his life had been remarkable if he had not written the Essays? No. Would he have been so well-known had not a brilliant young admirer, Marie de Gournay, devoted her life to editing and publishing his evolved essays posthumously? Probably not. Desan delves into these questions and much more in a hefty biography that will appeal most to academics.

A dense work to be read in conjunction with the humanist’s own eloquent writing.

Pub Date: Jan. 1, 2017

ISBN: 978-0-691-16787-9

Page Count: 816

Publisher: Princeton Univ.

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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