A grim tale of infidelity and family dysfunction.
Four misfits battle their demons and each other.
The characters in Djian’s novel could have stepped straight from the pages of the most melancholy Raymond Carver short story. Dan and Richard are Special Forces veterans of combat in Iraq, Afghanistan, and Yemen, both suffering from PTSD and living in an unnamed town near a military base where their former comrades still depart for and return from war, many of them burdened by the same damage. When Marlene, whose sister, Nath, is married to Richard, arrives unannounced (and newly pregnant) in town, reuniting with Nath for the first time in 18 years, she’s the match that sets fire to the emotional tinderbox in which these characters live. Nath and Richard’s 18-year-old daughter, Mona, has briefly taken shelter with her godfather, Dan, after fleeing her parents’ house for reasons never fully explained. Marlene and Dan drift into a relationship while Nath and Richard’s uneasy marriage risks being undermined by both partners’ infidelity. The novel begins in shades of gray and slides toward black as incidents of petty crime, physical violence, and sexual betrayal mount. Djian situates the relationships of all five of these unsympathetic characters in a cul-de-sac from which it’s obvious early in the novel they lack the ability, or even the will, to escape. That this bleak story culminates in death is utterly predictable, but what’s lacking is any truly tragic sense beyond an obvious regret at the senseless loss of human life. That shortcoming results from Djian’s choice to spend more time creating a moody portrait of working-class despair than he does plumbing his characters’ inner lives in any meaningful way.
A grim tale of infidelity and family dysfunction.Pub Date: Sept. 8, 2020
ISBN: 978-159051-987-5
Page Count: 224
Publisher: Other Press
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
Starts with a bang and closes with a knockout punch of an ending.
A violent attack hijacks a woman’s memory in this novel of domestic suspense.
McFadden wastes no time pulling the trigger in this harrowing story that starts with gunfire then swiftly propels readers into a crack tale of secrets and misdirection. Originally self-published in 2016, the book carries the same formidable weight as McFadden’s later novels featuring unsuspecting women who lose their power then fight to recapture it—mostly from men who have betrayed them. That formula perfectly fits Dr. Charlotte McKenna, a 37-year-old dermatologist who isn’t looking for love until the most handsome man she’s ever seen begins to woo her. There are warning signs about Clark Douglas and Charlotte overlooks them to her detriment—but is he a killer? The novel has dual timelines split between events leading up to the day Charlotte barely survives a head wound meant to kill her and the months afterward, when she struggles to reclaim her memory and her mobility. In real life, McFadden is a physician trained to treat brain injuries. Her expertise gives Charlotte’s rehabilitation authenticity, and her writing talent makes it interesting and engaging. As good as that timeline is, readers will yearn to get back to the alternate timeline about who wants Charlotte dead. It’s only a matter of time before Charlotte starts to remember who tried to kill her, and the clock is ticking toward their next attempt. McFadden dishes up plenty of suspects: Charlotte’s secretive husband, Clark; a former patient turned stalker who confronts Charlotte on her honeymoon; and the angry husband of a patient who blames Charlotte for his wife leaving him. Though the story is delicious and dark, McFadden brightens things up with a possible love interest for Charlotte and a surprise ending sure to please the author’s many fans.
Starts with a bang and closes with a knockout punch of an ending.Pub Date: Aug. 25, 2026
ISBN: 9781464249617
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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