A multilayered, enrapturing chronicle of freedom that interrogates the nature of freedom itself.
A gorgeously written, evocative saga of Black American survival and transcendence, blending elements of fantasy, mythology, and multigenerational history.
The title of this crowded, resonant, and wildly imaginative first novel is taken from the name of its setting, an all-Black community just north of St. Louis in the 1830s. It came into being because a tough-minded, inscrutably powerful woman named Saint has, through “conjuring,” brought death and destruction to Southern plantations, freed their slaves, and provided a haven for them and their loved ones in “Ours”—a place that has the added convenience of being magically shrouded from outsiders. For a time, Saint’s daring attempt at establishing a secure, self-sufficient community for her people in the divided heart of antebellum America seems to be working. But, however shielded its inhabitants are from slave trackers and other white predators, Ours is no unmitigated paradise, with strains soon becoming apparent among its residents. “Freedom didn’t mean safety,” Williams writes, “and if there’s anything more shockingly unpredictable than freedom, it’s love.” And it’s not just love between men and women but love between parents and children, and the love Saint has for those she’s freed, that’s tested over decades of conflict, transition, and even transformation as a result of such new members of the community as a contingent of conjurers from New Orleans led by the formidable Frances, who “[switches] between ‘he’ and ‘she’ without care.” These transients add to the town’s complexity and strain its cohesiveness. As in the magical realist sagas of Latin America or the grand fictions of Russian literature, time itself becomes a morphing, enigmatic character in Williams’ novel as the town’s insular sense of security is buffeted by the Civil War and its bruising aftermath. The reader is often challenged to keep up with worldly and otherworldly happenings. But what keeps you attentive, and the sweeping narrative anchored, are the rich characterizations and, most of all, the often-startling impact of Williams’ poetically illuminated language.
A multilayered, enrapturing chronicle of freedom that interrogates the nature of freedom itself.Pub Date: Feb. 20, 2024
ISBN: 9780593654828
Page Count: 592
Publisher: Viking
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
PERSPECTIVES
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
An engaging, eloquent message for this fragile planet.
A story of friendship, technology, oceans, and a small island.
Powers juggled nine lead characters in The Overstory (2018), his Pulitzer Prize–winning novel. Here he wrangles just four, but the result is almost as complicated. Two nerdish boys, Rafi Young and Todd Keane, bond in high school over chess and Go. In college, Rafi falls in love with Ina Aroita, a Hawaii-born Navy brat whose mother is Tahitian. The men fall out shortly after brainstorming over Todd’s idea for a computer game called Playground. This strand of the novel is told in retrospect by Todd at age 57, addressing an unidentified “you,” after he receives a diagnosis of dementia with Lewy bodies; he’s an unreliable narrator in more than one way. Interspersed are scenes in later years on the French Polynesian island of Makatea, scarred by phosphate mining and down to a population of 82, including Rafi and Ina and the novel’s fourth lead, an elderly Canadian scuba diver named Evelyne Beaulieu. Her lifelong love of the diversity and preciousness of aquatic life provides the book’s other narrative strand and its environmental theme. Through Todd, Powers sketches the computer and social media revolutions, from early coding to gaming to AI. The counterpoint to this high-tech history is Makatea, a paradise lost to industrial mining that decades later must decide whether to accept a consortium’s lucrative proposal to use the island to build floating autonomous cities. This is a challenging novel, fragmented but compelling, with fine writing on friendship and its loss and on the awe and delight the ocean inspires. Along with its environmental warnings, the book carries an intriguing look at the ways people and animals play, as in the boys’ competitive chess, the antics of manta rays, the allure of computer games, and what a meta-minded author might do with his readers.
An engaging, eloquent message for this fragile planet.Pub Date: Sept. 24, 2024
ISBN: 9781324086031
Page Count: 400
Publisher: Norton
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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