Childhood at its most hopeful and heartbreaking; readers seeking lighthearted, sanitized fare should turn away.
In photojournalist Diederich’s harrowing debut novel, 13-year-old Liberio “Boli” Flores endures the effects of narcoviolence sweeping Mexico.
Brutal change comes to the pueblo of Izayoc when the townspeople discover the severed head of a teacher. Soon, new cars with California plates appear in the village, driven by men in flashy clothes. After another body—a woman’s—turns up in a field, Boli and his village suspect the worst: “Something was going on.” Boli’s parents go to nearby Toluca to request assistance from the federal police. Meanwhile, life goes on, and Boli and his best friend, Mosca, shine shoes to scrape together enough money for a wrestling event at a fair. When his parents fail to return, Boli longs to uncover the truth behind their disappearance, as he solicits help from El Chicano Estrada, a washed-up, jaded luchador. Though he filters this narrative through Boli’s starry-eyed perspective, Diederich doesn’t hold back in his depiction of corruption and loss. Full of grim and shocking violence, Izayoc here represents a demoralizing reality perhaps already too familiar. Boli and Chicano’s investigative efforts expose nothing but bad news: “We are a country built on lies. Listen, forget the illusion that the world is a good place. It’s not.” The conclusion provides only a dubious sense of closure.
Childhood at its most hopeful and heartbreaking; readers seeking lighthearted, sanitized fare should turn away. (glossary) (Fiction. 12-15)Pub Date: Feb. 9, 2016
ISBN: 978-1-941026-29-8
Page Count: 232
Publisher: Cinco Puntos Press
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
BOOK REVIEW
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
A somewhat entertaining, fast-paced journey that fizzles at the end.
A teenager runs away to Seattle, hoping to locate her missing sister.
Fifteen-year-old Eleanor idolizes her older sister, Sam, despite their being complete opposites: Sam is outgoing and wild, while socially awkward Eleanor is known as Little Miss Perfect, always doing the right and safe thing. After Sam runs away from home, the only communication she has with Eleanor are three postcards sent from Seattle. Eleanor decides to trace her 18-year-old sister’s footsteps, leaving her messages and hopping on a bus to find her. But when Sam doesn’t meet her at the bus depot, Eleanor, who has no real plan, has to learn how to survive on her own while searching the city for her sister. While the close bond between the girls is well depicted through flashbacks, the reveal of an important secret ultimately feels anticlimactic. A major plot point relies too heavily on chance and coincidence to be fully believable. While the color scheme, cityscapes, and background illustrations are atmospheric, the manga-inspired drawing style comes across as dated and flat. The depiction of the fabricated stories Eleanor tells is intriguing, as are the themes of friendship, living in the moment, and maintaining hope; unfortunately, none are thematically strong enough to resonate. The emotional impact of Eleanor’s experiences is diluted by her at times humorous narration. Eleanor and the main cast read as White.
A somewhat entertaining, fast-paced journey that fizzles at the end. (Graphic novel. 12-15)Pub Date: April 26, 2022
ISBN: 978-0-316-50023-4
Page Count: 280
Publisher: Little, Brown
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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