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THE BLUE HOUSE

An absolute treasure for anyone who has ever moved.

A father and son are forced from their longtime neighborhood.

Leo and his dad love their rented “old blue house” despite its quirks (peeling paint, a mossy roof, leaks and creaks). The house is filled with so many memories that make it theirs. In the winter, the duo make cozy forts and bake pies to warm up when the old heater breaks. They dance to “Spruce Springsteel” on vinyl. As the garden fills with raspberries and tomatoes in the summer, Leo plays in the yard until sundown. But, lately, developers have been building “big, new apartments” nearby. Their landlord informs Leo’s dad that the blue house is next to be torn down. Leo and his dad dance, stomp, and rage together. Will their new home ever feel the same? Wahl’s latest is a moving portrait of a single-parent family’s resilience and love amid redevelopment. The textured, deeply colorful art utilizes collage, and the text appears handwritten, giving the rich spreads the feel of a scrapbook. The detailed illustrations enrich not only the memories, but the characters’ colorful personalities and relationship. The third-person narrative’s tight connection to Leo and his emotions positions the text as Virginia Lee Burton’s The Little House retold for a new generation. Endpapers depict Leo’s neighborhood before and after redevelopment, effectively showing the impact. Both Leo and his dad present White.

An absolute treasure for anyone who has ever moved. (Picture book. 4-8)

Pub Date: Aug. 11, 2020

ISBN: 978-1-9848-9336-9

Page Count: 40

Publisher: Knopf

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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