Nguyen reminds us that the power of women is nothing new.
When Beyoncé asked, “Who run the world?” was she thinking about the legendary Trưng sisters?
During the early years of the Common Era, Trưng Trắc and Trưng Nhi, two daughters of a Việt lord, grew up within palace walls. Their northern homeland was under the increasingly tyrannical rule of the Hán from neighboring China. Trưng Trắc, the older sister, was studious and steadfast; Trưng Nhi was rebellious and resistant to the constraints of royal life. When the uneasy peace their father had maintained with the Hán was disrupted and terrible injury was inflicted upon their family and loved ones, the young women (eventually referred to as the She-Kings of the Việts) call upon their inner strengths, upon their classical education in the art and philosophy of war, and, most importantly, upon other Việt women to defend their homeland. Marshalling an army of 80,000 women, the sisters waged a spectacular war—complete with drums, arrows, and elephants—on the Hán, and, for a short time, the postwar kingdom was ruled by Trưng Trắc. When her rule was disrupted in a Hán rout, an effort was made by the conquerors to confiscate all the bronze drums that had become the means of battle communication for the women warriors in an effort to build a towering symbol of Hán superiority. Some drums, hidden and buried by the vanquished women, are still unearthed today, providing continued support for the legacy of the fierce duo. The sisters have long been revered as national icons in Vietnam, and this fictionalized account of their rise to military greatness includes extensive, cinematic descriptions of battlefield tactics and imagined scenes of heartache and horror while not avoiding references to mistakes in judgment (diplomatic and otherwise) they may have made.
Nguyen reminds us that the power of women is nothing new.Pub Date: Aug. 9, 2022
ISBN: 978-1-5387-5370-5
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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