THIRSTY THURSDAY

From the Bonnie Bumble series

It’s Thursday on Bonnie Bumble’s farm, and everyone is thirsty—especially the flowers. The snapdragons snap, the tiger lilies growl, the Johnny-jump-ups jump up and down and the black-eyed Susans are spoiling for a fight. Not a drop of rain is in sight, but luckily Bonnie has an idea. She puts the sheep on top of the cow and the pig on top of the sheep, and she climbs on top of the pig (à la the Bremen Town Musicians) and tickles the cloud with a feather. The little cloud giggles, wriggles and jiggles, and down comes the rain. Now everyone is happy—except the big clouds want to be tickled, too! Short, sweet and unabashedly darling, Root’s text employs just the right amount of repetition to get toddlers chiming in by the second reading. Craig’s ink, watercolor and pencil illustrations lend Bonnie, animals and flowers expressive personalities, and the paper-over-boards binding will hold up to the inevitable repeated readings. As perky as a freshly watered daisy. (Picture book. 3-5)

Pub Date: Aug. 1, 2009

ISBN: 978-0-7636-3628-9

Page Count: 24

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2009

Did you like this book?

No Comments Yet

SAY HELLO!

Today Carmelita visits her Abuela Rosa, but to get there she must walk. Down Ninth Avenue she strolls with her mother and dog. Colorful shops and congenial neighbors greet them along the way, and at each stop Carmelita says hello—in Spanish, Arabic, Hebrew and more. With a friendly “Jambo” for Joseph, a “Bonjour” at the bakery and an affectionate “Hey” for Max and Angel, the pig-tailed girl happily exercises her burgeoning multilingual skills. Her world is a vibrant community, where neighborliness, camaraderie and culture are celebrated. Isadora’s collaged artwork, reminiscent of Ezra Jack Keats, contains lovely edges and imperfections, which abet the feeling of an urban environment. Skillfully, she draws with her scissors, the cut-paper elements acting as her line work. Everything has a texture and surface, and with almost no solid colors, the city street is realized as a real, organic place. Readers will fall for the sociable Carmelita as they proudly learn a range of salutations, and the artist’s rich environment, packed with hidden details and charming animals, will delight readers with each return visit. Simply enchanting. (Picture book. 3-5)

Pub Date: April 1, 2010

ISBN: 978-0-399-25230-3

Page Count: 32

Publisher: Putnam

Review Posted Online: Dec. 23, 2010

Kirkus Reviews Issue: March 1, 2010

Did you like this book?

No Comments Yet
  • SPONSORED PLACEMENT

One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

Did you like this book?

No Comments Yet

TEN LITTLE FINGERS AND TEN LITTLE TOES

A pleasing poem that celebrates babies around the world. Whether from a remote village or an urban dwelling, a tent or the snow, Fox notes that each “of these babies, / as everyone knows, / had ten little fingers / and ten little toes.” Repeated in each stanza, the verse establishes an easy rhythm. Oxenbury’s charming illustrations depict infants from a variety of ethnicities wearing clothing that invokes a sense of place. Her pencil drawings, with clean watercolor washes laid in, are sweetly similar to those in her early board books (Clap Hands, 1987, etc.). Each stanza introduces a new pair of babies, and the illustrations cleverly incorporate the children from the previous stanzas onto one page, allowing readers to count not only fingers and toes but also babies. The last stanza switches its focus from two children to one “sweet little child,” and reveals the narrator as that baby’s mother. Little readers will take to the repetition and counting, while parents will be moved by the last spread: a sweet depiction of mother and baby. (Picture book. 3-5)

Pub Date: Oct. 1, 2008

ISBN: 978-0-15-206057-2

Page Count: 34

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2008

Did you like this book?

No Comments Yet
more