LO'S DIARY

The notorious re-telling (originally published in Italian in 1995) of Lolita in the words of the nymphet herself who drove Humbert Humbert beyond all constraint. Result: a mix of wit and tedium in near-equal parts. The wit appears early, as 12-year-old Dolores Maze (as opposed to Haze) describes her 1946 home life in Goatscreek, New Hampshire, no seducer yet in sight. When Lo was four, her little brother of two was electrocuted (tossed like “a piece of toast popped out of the toaster” by a downed wire). Lo’s father, before his own abrupt end in 1945, reacted by killing lizards in a miniature electric chair in the garage. Her mother, a widow at 35, stared at the ceiling while Lo herself explored the world of scent (“I had spent the whole summer sniffing my mother’s feet and collecting spiders”). Into this world of wacky sadness enters the French academic gentleman Humbert Guibert as a paying roomer—a point after which much of the book’s charm flees as the necessities of its inherited script take over: as Lo is transformed into a sexual veteran at summer camp; as Humbert marries her mother so as to keep access to Lo; as her mother then dies (was she murdered by Humbert?); and as Humbert picks Lo up from the summer camp to embark upon a year’s car-odyssey across the US, during which time his “sex-slave” Lo is mostly bored by her keeper, though she does obediently keep the “travel log”of sights that Hummie “assigns” her, sounding in it often far too old for her age, as she does also when the duo alights in Ithaca, New York, and Lo becomes struck by the stage—before fleeing with a hyperbolically seedy practitioner of same. Nabokov’s novel, with its own excellences and scandal, was also a thing of its real historic moment; while Pera’s retake of it gains life, in the main, as an already dated curiosity. (First printing of 40,000)

Pub Date: Oct. 29, 1999

ISBN: 0-9643740-1-3

Page Count: 293

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1999

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Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

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WHERE THE CRAWDADS SING

A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.

“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens (Secrets of the Savanna, 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.

Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

Pub Date: Aug. 14, 2018

ISBN: 978-0-7352-1909-0

Page Count: 384

Publisher: Putnam

Review Posted Online: May 15, 2018

Kirkus Reviews Issue: June 1, 2018

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FOR WHOM THE BELL TOLLS

This is good Hemingway. It has some of the tenderness of A Farewell to Arms and some of its amazing power to make one feel inside the picture of a nation at war, of the people experiencing war shorn of its glamor, of the emotions that the effects of war — rather than war itself — arouse. But in style and tempo and impact, there is greater resemblance to The Sun Also Rises. Implicit in the characters and the story is the whole tragic lesson of Spain's Civil War, proving ground for today's holocaust, and carrying in its small compass, the contradictions, the human frailties, the heroism and idealism and shortcomings. In retrospect the thread of the story itself is slight. Three days, during which time a young American, a professor who has taken his Sabbatical year from the University of Montana to play his part in the struggle for Loyalist Spain and democracy. He is sent to a guerilla camp of partisans within the Fascist lines to blow up a strategic bridge. His is a complex problem in humanity, a group of undisciplined, unorganized natives, emotionally geared to go their own way, while he has a job that demands unreasoning, unwavering obedience. He falls in love with a lovely refugee girl, escaping the terrors of a fascist imprisonment, and their romance is sharply etched against a gruesome background. It is a searing book; Hemingway has done more to dramatize the Spanish War than any amount of abstract declamation. Yet he has done it through revealing the pettinesses, the indignities, the jealousies, the cruelties on both sides, never glorifying simply presenting starkly the belief in the principles for which these people fought a hopeless war, to give the rest of the world an interval to prepare. There is something of the implacable logic of Verdun in the telling. It's not a book for the thin-skinned; it has more than its fill of obscenities and the style is clipped and almost too elliptical for clarity at times. But it is a book that repays one for bleak moments of unpleasantness.

Pub Date: Oct. 21, 1940

ISBN: 0684803356

Page Count: 484

Publisher: Scribner

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Oct. 1, 1940

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