bookshelf

FALLING OFF THE MAP

Name: FALLING OFF THE MAP
Author: Pico Iyer
ISBN: 0-679-42264-1

SOME LONELY PLACES OF THE WORLD

by Pico Iyer ‧ RELEASE DATE: May 4, 1993

bookshelf

As he did in The Lady and the Monk (1991) and Video Night in Kathmandu (1988), Iyer again turns his attention to the quirky and the quixotic, this time in what he calls ``the et ceteras in the list of nations.'' Included in these ``lonely places'' are Iceland, Paraguay, Vietnam, Argentina, and Australia. Iyer confesses early on to a lifelong attraction to regions that in ``their very remoteness'' take on an ``air of haunted glamour.'' He doesn't necessarily mean geographically distant, though Bhutan and Patagonia are among his destinations. Rather, it's the psychological and economic isolation of these areas- -occasioned by, for example, lack of tourism and international investment—that intrigues the author. Iyer depicts with wonder and affection the varied idiosyncracies he encounters, studding his narrative with colorful, off-beat facts—e.g., that, by law, one evening each year the members of the Icelandic Parliament must speak in rhyme. Throughout, Iyer displays a winning, self- deprecatory humor. When a Cuban doctor asks him to touch his nose with his eyes closed, the author jokes, ``Luckily, it is a big target: I pass with flying colors.'' Iyer's also aware of the dichotomies that exist within the countries he visits. Vietnam, despite decades of war, is ``one of the gentlest and most peaceful countries I have ever seen.'' His comments on that nation's eagerness to enter the world economic market are revelatory and unexpected: ``It is impossible not to feel that Saigon, with its Ca-Li-Pho-Nia Ham-Bu-Go stores and its karaoke bars, its Chiclets and water ski clubs, its private Mercedeses and hustlers and `Atlanta Placons' baseball caps—Saigon, with its rogue economy—is the image of the country's future.'' Economically written yet immensely resonant: a funny, stimulating, eminently humane work, charming and instructive.

Pub Date: May 4, 1993

ISBN: 0-679-42264-1

Page Count: 208

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE HALF KNOWN LIFE
by Pico Iyer

- BOOK REVIEW
A BEGINNER'S GUIDE TO JAPAN
by Pico Iyer

- BOOK REVIEW
AUTUMN LIGHT
by Pico Iyer

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.