A delightful celebration of an extraordinary Italian family’s enduring love affair with wine.
The Antinori family has been producing wine in Tuscany since 1385. Gracefully capitalizing on his family’s story, winemaker Antinori chronicles the unique business and personal relationships of this remarkable family enterprise.
The author uses seven wines as the foundation for his narrative, pairing each with a topic related to the family business. Beginning with a Franciacorta Brut rosé, Antinori explains how this wine represents his three daughters and their role in creating the future and “modern international soul of Marchesi Antinori.” The author explores becoming a winemaker (Villa Antinori); growing a company style (Solaia); reinventing wine (Tignanello); the regions of Umbria and Tuscany (Cervaro Della Sala); making wines in the world (Antica Napa Valley); and opening a winery (Mezzo Braccio Monteloro). Throughout the book, Antinori stresses that family relationships are the basis of the company’s enduring success and style. “The legacy and continuity that we are selling,” he writes, “my signature on the label, our roots: these things mean that even when times are tough, I wouldn’t dream of letting the company out of our control.” The author began exploring California and its wines in 1966 when he visited Napa, and his company’s first California wine, a cabernet sauvignon, was harvested in 2004. Today, the company “owns 1,742 hectares planted with vineyards in Italy, and 2,358 hectares around the world,” including Kyrgyzstan. The author’s impressive business success and personal life, combined with the compelling world of wine production, provides plenty of delectable fodder for readers. Whether Antinori is explaining the wine crisis of the 1960s or defining the Tuscan way of doing things or how his family roots infused him with a love of travel, the result is a pleasure. Oenophiles and those just curious for a bit more information will appreciate the technical notes about each of the seven bottles.
A delightful celebration of an extraordinary Italian family’s enduring love affair with wine.Pub Date: Sept. 2, 2014
ISBN: 978-0-8478-4388-6
Page Count: 240
Publisher: Rizzoli Ex Libris
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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