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A CHEF'S TALE

A MEMOIR OF FOOD, FRANCE AND AMERICA

Franey, recently retired from his New York Times and syndicated food column, looks back with clarity, precision, and considerable charm on his Burgundy childhood in a food-centered family; his rigorous training in Paris eateries (after leaving home and school forever at 14); and his American career as a French chef making his name in restaurant kitchens, newspaper columns, cookbooks, and television series. ``Anyone who has ever tried to cook well knows that about 50 percent of the job is focus, the willingness to concentrate,'' Franey notes. His own ability to focus on the details of food preparation combines with the specificity of his recollections to make his memoir solidly evocative. Still fresh in his mind's eye, it seems, are the fish he caught and cooked for family lunches when he was eight and even the ingenious devices he and his friends used to catch their prey. He recalls the elaborate dishes (including a boned, stuffed turbot soufflÇ) that, as a teenage apprentice, he ``felt I had to master if I was ever going to be anybody.'' And he still remembers his ``effervescent elation'' on entering New York harbor as a fairly lowly member of the hierarchy tapped to staff the French pavilion's kitchen at the 1939 World's Fair. Franey's independent nature informs his story's more dramatic moments: his surprisingly successful defiance of orders in the US Army during World War II; his resignation, after 20 years at New York's regal Pavillon restaurant, following a dispute with owner/manager Henri SoulÇ; his painful split with New York Times food man Craig Claiborne after years as an uncredited partner in Claiborne's restaurant reviews and recipe columns. (``I think about him all the time, even now.'') Franey has little to say about his marriage or his personal life in America, if he has had one apart from food and cooking. But his memoir of kitchens past is enlivened with anecdotes and personality sketches and peppered with authoritative parenthetical tips on culinary procedure. Unlike his more recent, eclectic ``60- Minute Gourmet'' entries, the 100 appended recipes, many tied to events reported in the book, are mostly French, though trimmed for current lower-fat standards. And he explains how the others are grounded in the cuisine he knows and does best. (Book-of-the-Month- Club Alternate Selection)

Pub Date: April 1, 1994

ISBN: 0-394-58600-X

Page Count: 272

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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