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THE KITE OF DREAMS

Despite its uplifting message, this effort doesn’t quite get off the ground.

Children all over the world play with real and imaginary kites, buoying their hope and resilience.

In a series of international vignettes, López Ávila and Merlán describe the titular Kite of Dreams—a metaphorical toy that “gather[s] the hopes and dreams of children” and helps them “dream of a better world.” Full-bleed watercolor-and-pencil illustrations offer glimpses from the lives of 15 kids in places such as Bolivia, Haiti, Ukraine, and the Philippines. Each child has their own wishes, and each uses literal or make-believe kites to weather challenging circumstances. In one scene, a Mexican girl named Lis “finds a piece of cloth” that triggers a “daydream of flowers, butterflies, and forests.” Using her sewing skills, she crafts a kite for herself and her brother, who then “play, without being bothered by the shadow of violence.” In an unnamed Chinese village, as Xia makes the treacherous journey to school, she “pretends a kite is carrying her up into the air” to distract her from the scary parts of the trek. The Kite of Dreams represents children’s capacity for “hope,” “love,” and “joy,” no matter what hardships they face; unfortunately, the overworked symbolism makes for a somewhat threadbare arc. Though the author writes most of the vignettes as open-ended slices of life that avoid feel-good conclusions, the book’s ending may strike readers as disappointingly sentimental.

Despite its uplifting message, this effort doesn’t quite get off the ground. (Picture book. 4-9)

Pub Date: April 1, 2020

ISBN: 978-84-16733-68-2

Page Count: 27

Publisher: Cuento de Luz

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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