Exaggeration and absurdity are useful tools of humor but not when deployed with a bludgeon.
The political satirist frets about America’s state of “angry perplexity,” but he would be well advised to heed his own advice: Calm down.
In his latest broadside, O’Rourke decries the excesses of left and right with (almost) equal disdain. At 72, he remains a libertarian conservative, and he has no use for the mindless populism or rabid partisanship that has Americans baring their fangs at each other. The author fairly wonders when—or if—America will “emerge from its grievous health crisis, lock-down isolation, economic collapse, and material depravation with a newly calm, pragmatic, and reasonable attitude toward our political system.” Even as he sounds the death knell for classical liberalism—free enterprise, the rule of law, civil liberties, free speech, etc.—O’Rourke also hopes, with scant confidence, that we will dispense with our hysterias in favor of competence and a civil tongue. He proceeds to skewer America’s cultural and political ills in broad, superficial detail while championing a form of “extreme moderation” as the only means of addressing them. Occasionally, as the voice of common sense, he does this with sobriety; the most reasonable part of the book is the “Pre-Preface,” written on June 8, 2020. “[George Floyd] was accused of spending twenty dollars in the form of a banknote that had no actual value,” he writes. “The U.S. Senate and House of Representatives are currently spending billions of dollars in the form of banknotes that have no actual value.” More often, O’Rourke employs sweeping generalizations, over-the-top screeds, unconvincing self-deprecation, and, above all, gale-force sarcasm. His meld of serious comment and attempted humor is an unhappy marriage, and even longtime O’Rourke devotees may not be sure where one ends and the other begins. The author has become a more jocular, less verbose version of William F. Buckley.
Exaggeration and absurdity are useful tools of humor but not when deployed with a bludgeon.Pub Date: Sept. 15, 2020
ISBN: 978-0-8021-5773-7
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
IN THE NEWS
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A top-notch political memoir and serious exercise in practical politics for every reader.
In the first volume of his presidential memoir, Obama recounts the hard path to the White House.
In this long, often surprisingly candid narrative, Obama depicts a callow youth spent playing basketball and “getting loaded,” his early reading of difficult authors serving as a way to impress coed classmates. (“As a strategy for picking up girls, my pseudo-intellectualism proved mostly worthless,” he admits.) Yet seriousness did come to him in time and, with it, the conviction that America could live up to its stated aspirations. His early political role as an Illinois state senator, itself an unlikely victory, was not big enough to contain Obama’s early ambition, nor was his term as U.S. Senator. Only the presidency would do, a path he painstakingly carved out, vote by vote and speech by careful speech. As he writes, “By nature I’m a deliberate speaker, which, by the standards of presidential candidates, helped keep my gaffe quotient relatively low.” The author speaks freely about the many obstacles of the race—not just the question of race and racism itself, but also the rise, with “potent disruptor” Sarah Palin, of a know-nothingism that would manifest itself in an obdurate, ideologically driven Republican legislature. Not to mention the meddlings of Donald Trump, who turns up in this volume for his idiotic “birther” campaign while simultaneously fishing for a contract to build “a beautiful ballroom” on the White House lawn. A born moderate, Obama allows that he might not have been ideological enough in the face of Mitch McConnell, whose primary concern was then “clawing [his] way back to power.” Indeed, one of the most compelling aspects of the book, as smoothly written as his previous books, is Obama’s cleareyed scene-setting for how the political landscape would become so fractured—surely a topic he’ll expand on in the next volume.
A top-notch political memoir and serious exercise in practical politics for every reader.Pub Date: Nov. 17, 2020
ISBN: 978-1-5247-6316-9
Page Count: 768
Publisher: Crown
Review Posted Online: Nov. 15, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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