by P.J. O’Rourke ‧ RELEASE DATE: March 7, 2017
It’s not Hunter S. Thompson, and O’Rourke has been funnier, lots funnier—but then again, it may just be that our current...
Tossed-off bons mots on “this obnoxious political spectacle, the election of 2016.”
Longtime political satirist O’Rourke (Thrown Under the Omnibus, 2015, etc.) surprised observers during the 2016 cycle by weighing in, if without much enthusiasm, for the Democratic candidate—not to be expected for someone who had long identified with a kind of country-club conservatism. Considering what the Republicans had to offer, that’s not really such a surprise, for O’Rourke has also long prided himself in contrarianism. Still, the author seems as much taken aback as any civilian by the spectacle that saw Donald Trump skyrocket over the preferred candidates, notably Jeb Bush, who, after all, was governor of Florida, “where balloting incompetence and corruption are vital to the GOP.” One by one, O’Rourke examines the slate as, one by one, they fall: Chris Christie is a chump who makes bad suits look worse, Rick Perry a dimwit whose effort at wearing glasses to look intellectual convinces no one, Marco Rubio merely “the least insane candidate.” Where O’Rourke hits hard on a mark, it seems almost accidental. His random remarks on Hillary Clinton’s manner, for instance, eventually add up to a rather deft analysis of how the elite class operates, while the insurgencies surrounding both Trump and Bernie Sanders are two faces of the same coin, species of “internecine warfare [that] brings forth the worst from both sides.” Still, even in the bloodletting and shambles, the author finds room for optimism: after all, we’re not as fragmented as in 1861 (“that was polarized”), and he even ventures the view that our divisions and manifold special interests may mean that American voters “are becoming persons, not masses.”
It’s not Hunter S. Thompson, and O’Rourke has been funnier, lots funnier—but then again, it may just be that our current political situation is no laughing matter.Pub Date: March 7, 2017
ISBN: 978-0-8021-2619-1
Page Count: 256
Publisher: Atlantic Monthly
Review Posted Online: Jan. 23, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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